iPhoto caption: Tracey Nepinak and Teneil Whiskeyjack in 'Strife.' Photo by Jae Yang.
REVIEW: Punctuate! Theatre’s Strife opens up perspectives on grief, activism, and the oil industry
Playwright Matthew MacKenzie and director Yvette Nolan have crafted a drama in which every character is worth hearing. What follows is my attempt to listen — perspective by perspective.
iPhoto caption: (L to R) Ron Pederson (Nils) and Alexandra Lainfiesta (Nora) in 'A Doll's House.' Photo by HarderLee.
Anita Rochon, director of A Doll’s House at Theatre Calgary, knows a good play has your back
“[I know] the rhythms and aspects of humanity that she’s interested in exploring,” Rochon said. “I’m always attracted to the complex, troubled, imperfect human. Ibsen and Herzog invite in complexity.”
iPhoto caption: Lindsey Middleton and Blessing Adedijo in 'The Moors.' Photo by Juniper Simpson Serrano.
REVIEW: Riot King’s The Moors reaches Gothic heights that more than withstand the wuthering
Playing at The Theatre Centre, The Moors is a deliciously feral, fierce, and funny love letter that Riot King brings to life with exquisite theatrical penmanship.
