REVIEW: Anusree Roy’s Through the Eyes of God is a fast-paced, one-woman thriller

This sequel to Pyaasa revisits the themes of motherhood and sacrifice in present-day India through the experience of Chaya, a lower caste Bengali woman.

David Leyshon named interim artistic producer at Lighthouse Festival

He joins the company as it prepares its 2026 programming, continuing its mandate of producing comedy-driven Canadian theatre in Port Dover and Port Colborne.

REVIEW: Soulpepper’s Witch is thematically alluring but dramatically thin

Jen Silverman’s play aspires to communicate something substantive about the human condition — touching on loneliness, ostracization, misogyny, ageism, yearning, and ego — yet it never quite settles on a cohesive or definitive thesis. Lancaster’s production commits to heady visuals and clever idiosyncrasies to fill the gap, with mixed results.