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REVIEW: Studio 180 Theatre’s Four Minutes Twelve Seconds stirs one moment and puzzles the next

As the script ties itself in narrative knots, Megan Follows never loses sight of the dramatic situation’s overwhelming nature; it’s as if her character is fending off a panic attack at every moment, grabbing onto any scrap of hope she can.

REVIEW: Beautiful Scars is a rousing, heartfelt new musical on the life of Tom Wilson

In Beautiful Scars, Hamilton’s hometown hero shares his life story, using the ever-magnetic Sheldon Elter as a mouthpiece.

In a new musical by Lee Harvey Osmond’s Tom Wilson, one Indigenous icon honours another

Beautiful Scars, adapted by Wilson and co-creator Shaun Smyth from Wilson’s 2017 memoir of the same name, tells the story of Wilson’s journey from a lonely childhood on the East Hamilton Mountain to a celebrated career as a multidisciplinary artist and three-time Juno-award-winning musician.

REVIEW: A Public Reading of an Unproduced Screenplay About the Death of Walt Disney ‘cuts to’ the core of the man behind the mouse

Soulpepper and Outside the March effectively drown Uncle Walt’s highly manicured public image in acetone, leaving the audience with a grotesque portrait that feels at once comically exaggerated and painfully accurate.

REVIEW: In One Step At A Time, Andrew Prashad unpacks disability through tap dance

Prashad’s play is undeniably impactful and advocates for the spina bifida community with great passion and joy.

Theatre Aquarius reveals inaugural selections for National Centre for New Musicals

Following a request for submissions that drew over 260 applications, the NCNM curatorial committee has selected five works for support.