Screen Shot 2016-03-28 at 9.21.00 AM
"What people need is work that speaks to what they’re going through and experiencing, and what people are trying to puzzle out," says Hogg. "Why do I feel this way? Who am I? What am I doing with my life? These are the same questions we’ve been asking since the Greeks and the ancient Africans. Those questions are huge — and music can help answer them.”
For the leadership at Crow’s Theatre, investing in local talent is crucial
“We want a sustainable future, where Toronto is a theatre city, a destination,” says artistic director Chris Abraham. “There is tremendous potential for that. But in order to be a big international theatre city, we have to take big swings.”
Speaking in Draft: Rachel Forbes
Rachel Forbes’ wide-ranging career has set this artist in a league of her own. The award-winning set and costume designer’s work has appeared across the country in productions by the Shaw Festival, Buddies in Bad Times, Obsidian Theatre, Neptune Theatre, Centaur Theatre, and more.
REVIEW: Cirque du Soleil is back in town, an echo of circuses past
It should say something about the Cirque du Soleil brand that even a show like ECHO — unclear in concept and messy around the edges — is a great time for audience members of all ages.
The Legend of Daddy Hall makes music from an epic life and a neglected history
Come Home — The Legend of Daddy Hall, written by Audrey Dwyer and staged by Tarragon artistic director Mike Payette, pays tribute to the extraordinary life of John “Daddy” Hall.
REVIEW: A new take on Don Pasquale re-imagines its lead as a cat-loving crank
If you love cats, you’ll like Barbe & Doucet’s production of Don Pasquale.
Comments