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REVIEW: In Nicolas Billon’s The Neighbours, everyone’s a bystander
Green Light Arts’ The Neighbours, playing at the Tarragon Theatre Extraspace, encourages audiences to reconsider their assumptions about the comfort of spectatorship.
iPhoto caption: Pip Dwyer, Jeanie Calleja, and Natalia Bushnik in 'Night at the Grand Guignol.' Photo by Jack Woolfe.
REVIEW: Eldritch’s Night at the Grand Guignol features spurting blood and severed eyes
The show hits the pulpy B-movie bullseye at which the indie company has long taken aim. Over the course of four playlets, a catalogue of deaths unfurls — shlockily! gorily! — in macabre locales.
Q&A: Hybrid conference explores the potential of VR theatre in Canada
Single Thread Theatre’s Performance and Extended Realities Conference features a mix of live performances, interactive digital presentations, and technical deep dives, as well as virtual and in-person installations.
Review of MJ: The Musical among winners at the 2025 Nathan Cohen Awards
The Canadian Theatre Critics Association has announced the winners of the 2025 Nathan Cohen Awards for Excellence in Critical Writing. This year’s prizes for outstanding review and critical essay were adjudicated by Natasha Tripney, international editor of the Stage.
REVIEW: Inventive choreography powers delightful Some Like It Hot at Mirvish
The gears of Casey Nicholaw’s production are well-oiled. Despite Art Deco set design and plenty of era-appropriate choreography, the show moves with contemporary fluidity.
REVIEW: Two critics compare reactions to TIFT’s new musical All the Cows Are Dead
Liam wrote about observing the production's rehearsal process. Shivani viewed the musical without any insider knowledge. On the way home from seeing the show in Barrie, they discuss.

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