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Liam Donovan
Liam is Intermission’s senior editor. He lives in Toronto. His Substack newsletter is available at loamdonovan.substack.com.
LEARN MOREAnita La Selva’s interdisciplinary 12 Litres 8800 Steps frames caregiving as an emotional odyssey
“I really wanted to tell the story of the people who are affected by their loved ones’ addictions. Because I don't think that that is a story that we see very often,” says the creator-performer ahead of the show’s premiere at the Factory Theatre Mainspace.
REVIEW: Punctuate! Theatre’s Strife opens up perspectives on grief, activism, and the oil industry
Playwright Matthew MacKenzie and director Yvette Nolan have crafted a drama in which every character is worth hearing. What follows is my attempt to listen — perspective by perspective.
iPhoto caption: Shira Leuchter in 'The Haunting' at Tarragon's Greenhouse Festival in 2024. Photo by Matt Hertendy.
REVIEW: One-on-one play considers the hidden meanings behind ghost stories
Shira Leuchter’s The Haunting feels less like attending a seance and more like flipping through the encyclopedia of a self.
iPhoto caption: Matthew MacKenzie and Mariya Khomutova in 'First Métis Man of Odesa' at Soulpepper Theatre in 2024. Photo by Dahlia Katz.
Theatre Calgary unveils 2026-27 season
Theatre Calgary has announced its 2026-27 lineup, including new productions of the musical Little Shop of Horrors and Sam Shepard’s drama True West.
REVIEW: Eros overpowers logos in Icarus Theatre’s Julie
Director Jordan Laffrenier focuses on atmosphere, delivering a heightened production that takes more from 1990s erotic thrillers than it does from naturalistic tragedy.
Tarragon Theatre reveals premiere-packed 55th anniversary season, including return of Yaga and MONKS
Tarragon Theatre’s 2026-27 season features world premieres by Anahita Dehbonehie, Katherine Gauthier, Ho Ka Kei (Jeff Ho), and Luke Reece, plus four other Canadian works.

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