Skip to main content

In Pictures: A Day in the (Wonderful) Life with Shaquille Pottinger

int(100775)
iPhoto caption: Photo by Shaquille Pottinger.
/By / Dec 19, 2023
SHARE

You may think you know It’s a Wonderful Life.

But Young People’s Theatre (YPT)’s take on the holiday favourite turns George Bailey’s story of regret and redemption on its head, adding live Foley effects to create a rich, inventive soundscape. It’s a Wonderful Life: A Live Radio Play, adapted by Joe Landry, builds an entire world out of a 1940s radio broadcast, complete with retro jingles and Christmastime flair.

Shaquille Pottinger returns to the YPT stage as Jake Laurents, who doubles as George in the radio play-within-a-play. Intermission caught up with Pottinger to walk through a day in the (wonderful) life of YPT’s big-hearted holiday show, playing until December 30.


“So in terms of the part these pictures play in the show, they’re purely aesthetic,” said Pottinger. “They’re pieces I guess the production thought would look specific to the time period. But as an actor, looking at these pictures really inspires me. I don’t know what it is about them. From an actor’s perspective, they seem like my forefathers and foremothers, and especially the picture of the Black gentleman. There’s something about him and his aura. I feel like he paved the way for my character to be here.”

Later in our interview, Pottinger added, “I’m so blown away by the original movie, and how relevant it is even today. I’m struck by the diversity of the movie…it’s been interesting to dissect the background. There were a lot of people of colour in the background in 1946, when race relations obviously weren’t their best. So that was really interesting to see. It felt like this director in 1946 made a conscious decision to reflect the real world and how diverse it is.”


“So when I’m doing a show, I’m gonna decorate my dressing room,” said Pottinger. “For The Darkest Dark, it was all space-themed. This year I did everything Christmas. You can’t just have a plain white wall during this kind of play — you have to spice it up a bit! So I have my baubles, and my garland, and some mementos.”


“My grandma got me the “follow your dreams” sign when I was in college. I remember one time I was devastated because it broke into pieces, and I glued it back together. And if you look at it, the glue, it’s kinda haphazardly done. It’s a little ugly…but for me it enhances the message that even if your dreams are broken, you can repair them.”


“This is my breakfast. The little dessert was brought for the whole cast, it was a vegan pineapple pastry,” Pottinger said. “If there’s one thing about breakfast, I never understand people who only like savoury or only like sweet. I like them both together, all the time!,” he added with a laugh.

“I’m known as the patty guy around here,” he said. “I thrive on patties. If you look in the freezer, you’ll see boxes and boxes of patties, because they’re so simple and easy to make. I don’t like stressing over food. I just want something in 30 seconds.”


“I thought it fit with the theme, with Clarence and everything, my guardian angel,” said Pottinger. “That’s why I put the angel at the very tip top of the room. I like having her watch over me, kind of like a good luck charm.”


“As you can tell, everything’s on theme,” said Pottinger. “Before shows I like to play music. There’s these really specific types of YouTube videos that will play, like, ‘nostalgic songs you hear playing in another room while a fire crackles in the background.’ I love something specific like that. I find it relaxing.”


“I made this stocking in second grade,” Pottinger said. “And what strikes me about it is how simple it is for a child to have made. I’m like, ‘Why didn’t I put more stars or more snowflakes on it?’. But I remember as a kid, even now, I always hate doing what other people are doing. I always have to be different. I was born a hipster. I have no doubt in my mind that second-grade Shaquille looked around himself, and saw all these kids putting snowflakes and stars all over their stocking, and said, ‘You know what? I’m going to keep it simple.’ And that’s what I came up with.”


“I normally don’t go to the front of the space,” said Pottinger. “Maybe in the beginning, before opening, I’d go sit out there, and really familiarize myself with the space. But it’s cool to see how it looks when it’s empty.”


It’s a Wonderful Life: A Live Radio Play runs at YPT until December 30. Tickets are available here.

Aisling Murphy
WRITTEN BY

Aisling Murphy

Aisling is Intermission's former senior editor and the theatre reporter for the Globe and Mail. She likes British playwright Sarah Kane, most songs by Taylor Swift, and her cats, Fig and June. She was a 2024 fellow at the National Critics Institute in Waterford, CT.

LEARN MORE

Comments

Leave a Comment

Your email address will not be published. Required fields are marked *


/
iPhoto caption: Photo by Fabian Hammerl.

In A a | a B : B E N D, choreographer Aszure Barton aims to rebuild dance from the inside out

“It’s so easy to over-intellectualize dance in general, but B E N D is about hearing and moving to cool-ass music together,” says Barton ahead of the show's run at the Bluma Appel Theatre.

By Lindsey King
Elinor Holt and Ellen Close in 'How Patty and Joanne Won High Gold at the Grand Christmas Cup Winter Dance Competition.' iPhoto caption: Elinor Holt and Ellen Close in 'How Patty and Joanne Won High Gold at the Grand Christmas Cup Winter Dance Competition.' Photo by Benjamin Laird.

How the Calgary-based stars of Lunchbox Theatre’s new holiday comedy are learning to tap dance from scratch

“We’re living in a world right now where failure is not an option,” says actor Elinor Holt. “And a lot of times people would rather not try anything at all, rather than try something and risk failing at it.”

By Eve Beauchamp
Jane Spidell as Bettye, Kevin Bundy as Jim, and Noah Beemer as Steve in 'Twelve Dinners.' iPhoto caption: Jane Spidell as Bettye, Kevin Bundy as Jim, and Noah Beemer as Steve in 'Twelve Dinners.' Photo by Dahlia Katz.

With TIFT’s Twelve Dinners, actor Steve Ross makes the leap to playwright-director

"I love sitting with the actors before rehearsals and discussing, especially when they ask questions,” says Ross. “I love the blocking and staging. I love directing my own work, but find it challenging."

By Joe Szekeres
iPhoto caption: Manus Halligan in Dan Colley's adaptation of 'A Very Old Man with Enormous Wings'. Photo by Ste Murray.

A contemporary Gabriel García Márquez adaptation touches down in Toronto

A Very Old Man with Enormous Wings has toured internationally since 2022, with a shifting cast of performers. Halligan and Beaman, the original actors and co-adaptors, will reprise their roles for the Toronto premiere.

By Nathaniel Hanula-James
'Narnia' in rehearsal. iPhoto caption: 'Narnia' in rehearsal. Photo by Dahlia Katz.

At Soulpepper, Bad Hats’ Narnia completes a trilogy of musicals championing a child’s-eye view of life

"What emerged for us was this idea of life cycles,” reflects Narnia adaptor-director Fiona Sauder. “‘What happens when you get stuck in one season [of life], and what happens when that season comes to an end? [What things] have to die and fall away in order for new things to grow?’”

By Nathaniel Hanula-James
iPhoto caption: Jordan Pettle, Janelle Cooper, and Monique Mojica in CHILD-ish. Photo by Jae Yang.

Tarragon’s upcoming show gives audiences a verbatim taste of children’s wisdom, wit, and weirdness

The first inklings of CHILD-ish came to Drake in 2017. “I got to an age where I started having a lot more kids in my life,” he said. That “got me curious about what adults can learn from kids: playing with and flipping that power dynamic of who’s the learner and who’s the teacher.”

By Nathaniel Hanula-James