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Intermission Magazine
where all great theatre discussions happen
  • Listings
    • Theatre Listings
    • Submit Listing
  • Reviews
  • Features
    • Artist Perspective
    • In Conversation
    • Spotlight
    • Columns
      • Nappoholics Anonymous
    • Past Columns
      • What I Wish I’d Known
      • Mad Kitchen
      • carte blanche
  • News
  • Insider Intel
  • Merch
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Canadians Abroad

Artist Perspective February 8, 2017

The Understudy

By Carly Street

Every working actor on Broadway nods conspiratorially when you say you’re “covering” for another actor.

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Canadians Abroad December 5, 2016

Foreign and Familiar

By Lucy Rose Coren

Even if Canada has a higher volume of contemporary French plays, our reliance on old translations of classic texts is troubling.

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Interviews November 24, 2016

The Love Story Behind Come From Away

By Richard Ouzounian

Irene Sankoff and David Hein, the married couple behind Come From Away, have their own writing style: “I heard someone say that writing is fighting. We like to write in a coffee shop. Because there are witnesses.”

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Canadians Abroad September 1, 2016

In Case We Disappear in Edinburgh

By Vanessa Smythe

Edinburgh is the largest arts festival in the world. I went on my own, to survive it.

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Ivana
Canadians Abroad August 25, 2016

Eating in LA

By Ivana Shein

Year One: Apple Pan, because it’s literally what the Peach Pit in 90210 is based on, and pie is good when you’re being rejected that much.

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Canadians Abroad April 18, 2016

Believing in Our Own Work

By Lee Wilson

When my peers and I were asked to pitch three plays, it was a no-brainer that the ones I chose were going to be Canadian.

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Reviews

REVIEW: The Magic of Assembly at Toronto Dance Theatre

The banner image for Intermission's review of The Marriage of Figaro at Canadian Opera Company. A decrepit, stately house with peeling white panelled walls. A man in a suit stands before a grand staircase, staring towards the camera s he steps forward. A winged figure hangs off the stairs' railing, reaching towards the man as they smile.

REVIEW: The Marriage of Figaro at Canadian Opera Company

The banner image for Intermission's review of Girls & Boys, a Here for Now Theatre production in association with Crow's Theatre. The image shows Fiona Mongillo, Here for Now's AD and the sole performer in the production, wearing a green collard jumpsuit. She stares past the camera imploringly, one hand raised in front of her as though asking an important question.

REVIEW: Girls & Boys at Here For Now Theatre/Crow’s Theatre

REVIEW: Fall On Your Knees at Canadian Stage/National Arts Centre/Neptune Theatre/London Grand/Vita Brevis Arts

About Intermission

Intermission is an online theatre arts magazine based in Toronto, created by The Company Theatre. We publish writing and videos about and by people who create theatre.

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Intermission Magazine
where all great theatre discussions happen

www.intermissionmagazine.ca