‘Just bring your joy’: Inside Lighthouse Theatre’s new all-ages holiday pantomime
“I don’t think there’s anything more powerful than seeing three generations of a family laugh together in a theatre,” says artistic director Derek Ritschel.
“I don’t think there’s anything more powerful than seeing three generations of a family laugh together in a theatre,” says artistic director Derek Ritschel.
“There’s a lot of emotion in this one,” says Randoja of Cardinal’s newest work. “You have to track and direct the emotional states throughout the play, and how they rise and fall. I call it a solo show, but in my head, it’s sort of like a movie, where all the other actors are invisible.”
“Authenticity may include trauma or suffering, but it doesn’t have to end in sadness,” says playwright Marie Beath Badian. “It isn’t the end of the story and it isn’t the point of the story.”
Both [Sky and Peters] want to honour the Indigenous artists who have worked with the [Stratford] festival for years, quietly carving out space for public and visual representation.
Sergio Blanco brings reality and fiction into one with The Rage of Narcissus, combining self-reflection, queerness, and murder.
This is the heart of what (Re)Casting Shakespeare is about: examining how casting can influence the audience’s interpretation of the story.
“[Directing Maanomaa, My Brother] was about putting a magnifying glass on what the story was…like making ghee, or butter without all the solids that could go bad.”
Canada boasts the second largest Ukrainian diaspora in the world — second only to Russia, in fact. Why hasn’t this diaspora been met by our theatre scene in what is arguably its greatest moment of need?
The recipient of an Order of Canada and winner of a clutch of theatre awards — not to mention a mountain of critical bouquets — during her four decades onstage, Seana McKenna is routinely referred to as one of the country’s finest actors. But she refuses to coast on her reputation.
“What I’m learning right now is giving me the confidence to take this newly gained knowledge anywhere in the world and flourish.”
There are children who are going to leave this show and realize that all you need to shrink or grow are a couple of chairs.
“A character in the play says, ‘We want theatre to reflect our people’. Well, I’m a Torontonian. I was born and raised here. Why am I not seeing myself on stage?”
Now that you’ve arrived, what’s to be done next? Fear not, because Blake and Clay of the Toronto Fringe hit Gay For Pay with Blake & Clay have the answers.
“Relaxed performance kind of calls that into question and throws it on its head and says, ‘well, says who? Says who that’s what it means to be a good audience member?’”
I wrote like the devil was on my back. Because she was… and she wore a very loudly ticking watch. I had time to write. And I did.
this house is made of people. which means that it is alive, which means life doesn’t have to be this way.