Kindness From Strangers
Why am I so concerned with making Blanche palatable to audiences?
A Not-So-Simple Truth
These are the truths that I can’t help but come to this story with.
“The Focus is on Phoebe”: Bringing NT Live’s Fleabag to the Big Screen
It’s the beginning of the end for Fleabag. But National Theatre Live, in partnership with Cineplex Odeon, is helping Canadians take part in the production’s final moments as they happen in the UK.
A Kind of Painful Abundance: Andrea Donaldson Talks Big Scars and Big Love in Pinter’s Betrayal
Typically known for directing contemporary feminist works, Donaldson insists the interplay of love and betrayal keep this work as relevant today as it was four decades ago.
The Greatest Showmance
“Showmance” is not a real word; it was invented by people in the acting industry. For those of you not familiar with the term, this is how Steffi DiDomenicantonio’s dictionary defines the word: two co-stars are working together in a show and are playing love interests. Time passes and the onstage feelings get confused for real-life feelings.
A Man, a Rope, a Cowboy
Fool for Love marks Eion Bailey’s Soulpepper debut and his return to the stage after decades of film and television work. Soulpepper invited us to watch a rehearsal of Fool for Love, and we spoke with Eion and others about the process of learning the unique skill of lassoing.
In Conversation: Gershwyn Eustache Jnr and Leah Harvey
Small Island principal actors Gershwyn Eustache Jnr (Gilbert) and Leah Harvey (Hortense) reflect on their characters, the legacy of the Windrush generation, and what cinema audiences can expect from Small Island.