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Martin Morrow
Martin Morrow is a Toronto-based theatre critic and arts journalist, and a two-time winner of the Nathan Cohen Award for excellence in critical writing. A frequent, long-time contributor to The Globe and Mail, he also writes occasionally for Toronto Life, The Stage (U.K.), Critical Stages and other publications. In the past, he’s been a film and theatre columnist for The Grid, an arts producer at the CBC and chief theatre critic for the Calgary Herald. He is also the author of Wild Theatre: The History of One Yellow Rabbit (Banff Centre Press).
LEARN MOREREVIEW: Titaníque loves Céline Dion with all its heart
Content quibbles aside, Titaníque’s inarguable accomplishment is musical: What an amazing showcase for a Canadian cast’s vocal chops and capacity to deliver character through song.
A Christmas Carol makes a triumphant return to Theatre Calgary
“It brings me a lot of joy to know that the generations of Calgarians who saw this show when they were a young person are now, 37 years later, bringing their sons and daughters,” says artistic director Stafford Arima.
REVIEW: Twelve Days brings Christmas joy to lunchtime in Calgary
Watching Twelve Days is reminiscent of opening up the door to a chocolate advent calendar: yes, you know what you’re gonna get, but heck if you don’t enjoy every second of it.
Want to see a magic show about race? Wait, what?
You’d be forgiven for the double-take. It’s a fairly common reaction when I tell folks about my work as a magician.
In GCTC’s FLOP!, three actor-comedians craft a musical from scratch
This December, Ottawa’s Great Canadian Theatre Company will present Klif Entertainment’s FLOP! An Improvised Musical Fiasco, created by Ron Pederson and director Alan Kliffer.
REVIEW: The Sound of Music is enchanting at London’s Grand Theatre
Even after an umpteenth viewing of Richard Rodgers and Oscar Hammerstein’s classic, the material still feels fresh under Rachel Peake’s direction.
The recipient of an Order of Canada and winner of a clutch of theatre awards — not to mention a mountain of critical bouquets — during her four decades onstage, Seana McKenna is routinely referred to as one of the country’s finest actors. But she refuses to coast on her reputation.
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