sitw-tf
Eve Beauchamp
Eve Beauchamp (they/them) is an award-winning Calgary-based theatre artist, playwright, and graduate of the BFA in Acting at the University of Ottawa. They are the co-artistic director of Levity Theatre Company and primarily create work that explores queerness, capitalism, and neurodivergence through humour, poetry, and storytelling. Currently, you can find them pursuing their Master of Fine Arts in Drama at the University of Calgary.
LEARN MOREREVIEW: Mirvish’s The Woman in Black conjures chills in the shadows
If you’re willing to suspend your disbelief and let your imagination run loose, The Woman in Black will reward you with a genuine jolt or two.
REVIEW: The Storyville Mosquito buzzes brilliantly at NAC English Theatre
Although The Storyville Mosquito is about being happy with what you’ve got, I left the theatre itching to see it again.
REVIEW: Tom Rooney dazzles in world premiere of Michael Healey’s Rogers v. Rogers
Rooney and Healey skewer the Rogers family with a disarmingly relaxed virtuosity that the surrounding Crow's Theatre production sometimes supports, and sometimes lets down.
iPhoto caption: Isabella Kinch, Ben Rudisin and Christopher Gerty in 'The Nutcracker.' Photo by Bruce Zinger.
REVIEW: National Ballet’s scrumptious Nutcracker will melt every last Grinch-heart in town
James Kudelka’s Nutcracker treats children as imaginative equals and adults as worthy of a sprinkling of magic, too. It’s an unwavering, saturated dream of joy you never want to wake up from.
REVIEW: Family tensions run high in TIFT’s intimate Twelve Dinners
In the now-closed Twelve Dinners, an autobiographical play written and directed by Steve Ross, audiences received intimate access to an unvarnished version of a younger Ross through 12 evening meals with his parents.
REVIEW: Bad Hats’ Narnia is a joyful, heartwarming escape
The spirit of openness and the joy of discovery rule over this Narnia. Open the wardrobe and see.
iPhoto caption: Elinor Holt and Ellen Close in 'How Patty and Joanne Won High Gold at the Grand Christmas Cup Winter Dance Competition.' Photo by Benjamin Laird.
“We’re living in a world right now where failure is not an option,” says actor Elinor Holt. “And a lot of times people would rather not try anything at all, rather than try something and risk failing at it.”
iPhoto caption: Shekhar Paleja, Emily Dallas, and Tyrell Crews in 'Dial M For Murder'. Set design by Anton deGroot. Photo by Trudie Lee.
REVIEW: Theatre Calgary’s Dial M For Murder queers the classic with style and suspense
The cloaked romance that sparks the homicidal scheme at the core of play is no longer between Margot (Emily Dallas) and a Mark, but rather a Maxine (Olivia Hutt). Yes, exactly — the original heterosexual coupling becomes refreshingly queer.
iPhoto caption: L to R: Maya Baker, Jameela McNeil, Kelsey Verzotti, Sarah Horsman, and Jessica Jones in 'Legally Blonde.' Photo by Trudie Lee.
In 2022, Verzotti became the first Asian-Canadian to play the titular redhead in Anne of Green Gables at the Charlottetown Festival. Now, she’s set to shatter more expectations as she tackles the lead role in Theatre Calgary’s Legally Blonde.
REVIEW: A Streetcar Named Desire pulls into Theatre Calgary for the first time in over two decades
You’ll find everything you might expect from a take on A Streetcar Named Desire: sensuality, top-notch performances, and all.
A Christmas Carol makes a triumphant return to Theatre Calgary
“It brings me a lot of joy to know that the generations of Calgarians who saw this show when they were a young person are now, 37 years later, bringing their sons and daughters,” says artistic director Stafford Arima.
REVIEW: Twelve Days brings Christmas joy to lunchtime in Calgary
Watching Twelve Days is reminiscent of opening up the door to a chocolate advent calendar: yes, you know what you’re gonna get, but heck if you don’t enjoy every second of it.

Comments