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Robyn Grant-Moran
Robyn Grant-Moran (Métis Nation of Ontario) is a classical singer, writer, and a jack of many trades who has recently met the requirements to call herself a Bachelor of the Fine Arts (thank you, York University and Indspire!). Along with her BFA, she has also completed the Performance Criticism Training Program with Generator, has studied with some beloved Canadian classical singers, and been in a opera or two. Robyn currently resides in Toronto with her tiny adorable rat dog.
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iPhoto caption: Steven Gallagher for Intermission. Photo by Dahlia Katz.
A love of theatre runs so deeply through Gallagher’s bones that you’d think it was a path he began to follow as soon as he could walk and talk. But for a boy who came of age on a rustic farm in Quebec and favoured sports venues over stages in high school, an eventual career in theatre was hardly a given.
iPhoto caption: Miriam Fernandes as the Storyteller, with Anaka Maharaj-Sandhu as Arjuna and Neil D'Souza as Krishna in Why Not Theatre’s Mahabharata (Shaw Festival, 2023). Photo by David Cooper. Set design by Lorenzo Savoini, costume design by Gillian Gallow, lighting design by Kevin Lamotte, projection design by Hana S. Kim.
For the creators of Why Not Theatre’s Mahabharata, nothing is more contemporary than an ancient epic
“I’ve been [telling] the company to embrace time as a collaborator,” says director Ravi Jain ahead of the show’s April run at Canadian Stage.
iPhoto caption: Kayla Sakura Charchuk, Jay Leonard Juatco, Kimberly-Ann Truong, Jun Kung, and Raugi Yu in Cambodian Rock Band. Set design by Jung-Hye Kim, costume design by Stephanie Kong, lighting design by Itai Erdal. Photo by Moonrider Productions.
REVIEW: Cambodian Rock Band makes scintillating Canadian premiere at Vancouver’s Arts Club
Jumping back and forth through time, it weaves the story of a father-daughter relationship together with high-energy musical performances and meditations on the traumatic effects of the Cambodian genocide.
iPhoto caption: L to R: Louise Duff (Ruth), Meg Farhall (Mrs. Bradman), Corrine Koslo (Madame Arcati), Tyrell Crews (Charles), and Christopher Hunt (Dr. Bradman) in Blithe Spirit at Theatre Calgary. Photo by Trudie Lee.
At Theatre Calgary, Corrine Koslo returns to the role of Madame Arcati after 20 years away
“I’m still flying around a bit but I’m not, you know, leaping six feet into the air and things like that,” says Koslo. “And I don’t need to. Then, I did. That was who I was and that’s who I brought to the table.”
iPhoto caption: Photo by Andree Lanthier.
GCTC to close out season with Rachel Mutombo’s Vierge
Co-produced by Montreal’s Black Theatre Workshop and directed by Dian Marie Bridge, Vierge will run from March 18 to 30 at the Irving Greenberg Theatre Centre in Ottawa.
iPhoto caption: Photo of Tara Sky by Jeremy Mimnagh. Set design by Shannon Lea Doyle, costume design by Asa Benally, lighting design by Hailey Verbonac.
REVIEW: The Born-Again Crow is an ardent ode to unproductivity
Director Jessica Carmichael’s Toronto premiere production trucks along with the passionate force of an early-2000s emo rock hit, imbuing this systemic critique with rousing, playful life.
iPhoto caption: Festival artwork by Mishiikenh Kwe.
Weesageechak Begins to Dance invites artists and audiences to explore newness together
Weesageechak Begins to Dance is the annual festival of new and innovative First Nations, Métis, and Inuit theatre, opening on November 6 at Native Earth Performing Arts.
iPhoto caption: Photo by Mike McPhaden.
There is a rift in the time-space continuum at Withrow Park this summer: multiverse Richard III has met Shakespearean universe Richard III for a coronation and some Shakespearean hijinks.
REVIEW: Otîhêw at Shakespeare in Action
A volcanic eruption and violent colonial expansion has turned the world upside down. Without sun and moon, the realities of famine and smallpox unleash new fears that threaten to unravel the fabric of community.
iPhoto caption: Joelle Peters (left) and Tara Sky (right). Original images of Peters and Sky by Ted Belton.
Change for the Better: On Indigeneity at the Stratford Festival
Both [Sky and Peters] want to honour the Indigenous artists who have worked with the [Stratford] festival for years, quietly carving out space for public and visual representation.
iPhoto caption: Courtenay Stevens, Helen Belay, Brandon McGibbon, Courtney Ch’ng Lancaster perform in The 39 Steps. Photo by Sarah Kirby.
REVIEW: The 39 Steps at County Stage Company
A cast of fantastic actors takes you on an equally fantastic journey through some of the silliest places and situations — it’s great fun.
iPhoto caption: Photo by David Hou
REVIEW: Women of the Fur Trade at the Stratford Festival
Louis Riel is SO dreamy. Tall. A little disheveled and unkempt, because he’s an introspective poet who’s busy fighting for social justice. And he wears glasses. He’s the total package.
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