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Liam Donovan
Liam is Intermission’s senior editor. His writing has appeared in publications like Maisonneuve, This, and NEXT. He loves the original Super Mario game very much.
LEARN MOREREVIEW: Mirvish’s Just For One Day gives Live Aid the showchoir treatment
It’s a group effort to a rather incredible degree — many of the songs are essentially riff battles, with the singers hot-potatoing the melody around.
REVIEW: A Streetcar Named Desire pulls into Theatre Calgary for the first time in 40 years
You’ll find everything you might expect from a take on A Streetcar Named Desire: sensuality, top-notch performances, and all.
REVIEW: Cliff Cardinal’s CBC Special is a real gem
Cliff Cardinal’s CBC Special may not broadcast on Canadian television, but it is, indeed, quite special.
REVIEW: La Reine-garçon hits like an avalanche at the COC
This co-production between the Canadian Opera Company and the Opéra de Montréal is eminently watchable.
REVIEW: In Why It’s (im)Possible at GCTC, parenting is an ever-evolving process
In the context of an increasingly difficult political and social climate for trans youth, Why It’s (im)Possible addresses the need for familial support.
Circus version of Swan Lake touches down at Meridian Arts Centre
This week, TO Live will present Circa’s Duck Pond, a circus reimagining of Swan Lake.
REVIEW: Mirvish’s Just For One Day gives Live Aid the showchoir treatment
It’s a group effort to a rather incredible degree — many of the songs are essentially riff battles, with the singers hot-potatoing the melody around.
REVIEW: La Reine-garçon hits like an avalanche at the COC
This co-production between the Canadian Opera Company and the Opéra de Montréal is eminently watchable.
Circus version of Swan Lake touches down at Meridian Arts Centre
This week, TO Live will present Circa’s Duck Pond, a circus reimagining of Swan Lake.
REVIEW: Detailed design anchors confident Who’s Afraid of Virginia Woolf? at Canadian Stage
Tasked for the second time in a year with filling the titanic canvas of the Bluma Appel Theatre, director Brendan Healy opts for hundreds of little strokes over a single massive one.
REVIEW: Psychology and ideology collide in Necessary Angel’s austere Winter Solstice
Winter Solstice left me in a state of tension — pondering whether, in a similar situation, I’d be more likely to flirt with or kill a potentially evil man.
Announcing the winners of the 2024 Nathan Cohen Awards
The Canadian Theatre Critics Association has announced the winners of the 2024 Nathan Cohen Awards for Excellence in Critical Writing, including two writers from Intermission.
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