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Hayley Malouin
Hayley is a freelance theatre critic and infrequent graduate student. In addition to Intermission, her work has appeared in The Toronto Star, alt.theatre magazine, and DARTcritics. She was the online reviews editor of alt.theatre from 2017-19, and she is the co-editor of Performance Matters Vol. 4.1-2, titled “Circus and Its Others.”
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iPhoto caption: Photo by Kendra Epik.
REVIEW: House + Body’s Measure for Measure weds the beautiful with the troubling
House + Body provides few answers about how to resist (or further, dismantle) a corrupt government. But layered portrayals of the play’s central characters convey the emotional stakes of a system that allows for egregious abuses of power.
iPhoto caption: Photo by Dahlia Katz.
REVIEW: Red Snow Collective’s Carried by the River is still finding its flow
Playing in the Tarragon Theatre Extraspace, Carried by the River delivers visually striking images and impressive choreography but struggles to find emotional depth and cohesion.
iPhoto caption: Photo courtesy of the CBC.
As the trade war rages on, CBC’s PlayME stays true to its mandate of platforming Canadian writers
“I think all five of these shows really help us plant a stake in saying who we are as Canadians,” says PlayME co-creator Chris Tolley.
iPhoto caption: Photo by Dahlia Katz.
REVIEW: Outside the March’s Performance Review is claustrophobic for all the right reasons
It’s up close and personal, with lots of eye contact and sometimes only inches of distance between playwright-performer Rosamund Small and the audience.
iPhoto caption: Photo by Dahlia Katz.
REVIEW: Against a bloody backdrop, Trident Moon pays homage to the power of resilience
Playing at Crow’s Theatre and set during the 1947 partition of India, the intense fictionalized drama offers a graceful depiction of several women’s high-stakes struggle to resist.
iPhoto caption: Photo by Olya Glotka.
REVIEW: At Factory Theatre, Kelly Clipperton’s new solo show transforms memory lane into a catwalk
Supported by Naomi Campbell’s glamorously grounded direction, which glides over the keys of sharply contrasting emotional scales, Clipperton paints a quippy, unapologetic, nostalgically referential portrait.
iPhoto caption: Image courtesy of Toronto Fringe
A Collective Experience: Fringe-ing Wherever You Are
“We could've just said we're not doing a Fringe, that we're just going to take this moment and not do anything. And we all thought, well, this is the mandate of Fringe, to support the artist, to be a platform for the artist. And this is an opportunity.”
Intermission COVID-19 Response & Up-To-Date Theatre News
As efforts continue to contain and prevent the spread of COVID-19, also known as coronavirus, Intermission is dedicated to providing up-to-date news on the status of theatre across the city and ensuring theatregoers have accurate information to plan during this difficult and transitory period.
Intermission: What We’re Looking Forward to In 2020
The editorial team, as well as some of our frequent collaborators, discuss some of their most anticipated productions and projects for 2020.
Intermission’s Most Memorable Theatre Experiences of 2019
The Intermission editorial team, as well as a couple of our frequent collaborators, think back on some of our most memorable theatre experiences from 2019.
2019 In Photos: Best of Dahlia Katz
Freelance professional and Intermission resident photographer Dahlia Katz always keeps our Spotlight series looking sharp. Let's look back on some of her best shots from 2019.
The Most Popular Intermission Articles of 2019
Thanks for another year of Toronto theatre coverage! As the year winds down, check out the ten most-read Intermission articles of 2019.
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