My-Post-16
Hayley Malouin
Hayley is a freelance theatre critic and infrequent graduate student. In addition to Intermission, her work has appeared in The Toronto Star, alt.theatre magazine, and DARTcritics. She was the online reviews editor of alt.theatre from 2017-19, and she is the co-editor of Performance Matters Vol. 4.1-2, titled “Circus and Its Others.”
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iPhoto caption: Sébastien Heins, Georgia Findlay, Isaiah Kolundzic, and Kiana Woo in The 39 Steps. Photo by Raph Nogal.
Kiana Woo clowns around in full-circle moment with Guild Festival Theatre
For Woo, coming back to the Guild for the first time in four years — after working at Shaw, Soulpepper, the Citadel Theatre, and Théâtre Français de Toronto — feels like a homecoming.
iPhoto caption: "My Narrator" photo courtesy of the Lighthouse Festival.
Lighthouse Festival unearths rarely performed Norm Foster one-acts
“There’s not much time for character development, like there would be in a long play,” says Norm Foster of one-acts. “You have to… make it satisfying, and to have it come around to a plausible ending. It can’t just be a skit… So, it’s actually a little tougher to write.”
iPhoto caption: Marie Farsi for Intermission Magazine. Photo by Dahlia Katz.
“I’ve learned how truth is revealed in translation, and I feel like that’s my job as a director,” says Farsi. “I have to translate the piece from the page to the stage, and all the meanings that can be derived from that process of translation.”
iPhoto caption: The company of 'The Comedy of Errors.' Photo by JVL Photography.
Let’s-a go: Embedded with the Fools’ Comedy of Errors
While I was preparing for the summer heat by shopping for lighter clothes, Kate Smith, artistic director of a Company of Fools, was getting ready for their next show. She called me while I was in the Rideau Centre and pitched an idea: “Would you have any interest in being an embedded critic?”
iPhoto caption: Banner provided by Theatre Aquarius.
Theatre Aquarius’ NCNM selects three new musicals for 2025-26 development
“The Danish Guest, The Blue Castle, and My Beef with Beef each bring such distinct worlds to life — from Victorian London to early-1900s Muskoka to a modern kitchen haunted by a ghost cow," wrote artistic director Mary Francis Moore in a press release.
iPhoto caption: Adam Francis Proulx, Elm Reyes, Kay-Ann Ward in a Fringe promo photo by Joy Adeola.
REVIEWS: Toronto Fringe Festival 2025
This collection of Toronto Fringe Festival capsule reviews will be updated throughout the festival with writing from 20 different critics.
iPhoto caption: Image courtesy of Toronto Fringe
A Collective Experience: Fringe-ing Wherever You Are
“We could've just said we're not doing a Fringe, that we're just going to take this moment and not do anything. And we all thought, well, this is the mandate of Fringe, to support the artist, to be a platform for the artist. And this is an opportunity.”
Intermission COVID-19 Response & Up-To-Date Theatre News
As efforts continue to contain and prevent the spread of COVID-19, also known as coronavirus, Intermission is dedicated to providing up-to-date news on the status of theatre across the city and ensuring theatregoers have accurate information to plan during this difficult and transitory period.
Intermission: What We’re Looking Forward to In 2020
The editorial team, as well as some of our frequent collaborators, discuss some of their most anticipated productions and projects for 2020.
Intermission’s Most Memorable Theatre Experiences of 2019
The Intermission editorial team, as well as a couple of our frequent collaborators, think back on some of our most memorable theatre experiences from 2019.
2019 In Photos: Best of Dahlia Katz
Freelance professional and Intermission resident photographer Dahlia Katz always keeps our Spotlight series looking sharp. Let's look back on some of her best shots from 2019.
The Most Popular Intermission Articles of 2019
Thanks for another year of Toronto theatre coverage! As the year winds down, check out the ten most-read Intermission articles of 2019.
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