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Jessica Watson
Jessica is a former associate editor at Intermission, as well as a writer, classically-trained actor, and plant enthusiast. Since graduating from LAMDA in the UK with her MA in acting, you can often find her writing screenplays and short plays in the park, writing extensive lists of plant care tips, or working on stage and screen (though she uses a stage name). Jessica freelances with various companies across Canada, but her passion lies in working with theatre artists and enthusiasts.
LEARN MOREREVIEW: House + Body’s Measure for Measure weds the beautiful with the troubling
House + Body provides few answers about how to resist (or further, dismantle) a corrupt government. But layered portrayals of the play’s central characters convey the emotional stakes of a system that allows for egregious abuses of power.
REVIEW: Red Snow Collective’s Carried by the River is still finding its flow
Playing in the Tarragon Theatre Extraspace, Carried by the River delivers visually striking images and impressive choreography but struggles to find emotional depth and cohesion.
As the trade war rages on, CBC’s PlayME stays true to its mandate of platforming Canadian writers
“I think all five of these shows really help us plant a stake in saying who we are as Canadians,” says PlayME co-creator Chris Tolley.
REVIEW: Outside the March’s Performance Review is claustrophobic for all the right reasons
It’s up close and personal, with lots of eye contact and sometimes only inches of distance between playwright-performer Rosamund Small and the audience.
REVIEW: Against a bloody backdrop, Trident Moon pays homage to the power of resilience
Playing at Crow’s Theatre and set during the 1947 partition of India, the intense fictionalized drama offers a graceful depiction of several women’s high-stakes struggle to resist.
REVIEW: At Factory Theatre, Kelly Clipperton’s new solo show transforms memory lane into a catwalk
Supported by Naomi Campbell’s glamorously grounded direction, which glides over the keys of sharply contrasting emotional scales, Clipperton paints a quippy, unapologetic, nostalgically referential portrait.
Pakistani-Canadian actor Ahad Raza Mir ‘goes back to basics’ with Brampton production of Hamlet
“The South Asian community in Calgary, and even Toronto, is a whole different story than Brampton in terms of size,” says Mir. “I'm excited to have this show come to a larger group of South Asians: most importantly, young people who maybe want to go into the arts who want to be actors."

Tarragon Theatre Announces A Poem for Rabia Cast
Award-winning theatre and film artist Nikki Shaffeeullah’s play A Poem for Rabia will make its debut in a Tarragon Theatre production in association with Nightwood Theatre and Undercurrent Creations.

REVIEW: Living With Shakespeare at Driftwood Theatre
Living With Shakespeare is a deeply intimate exploration of Smith’s life and work, using Shakespeare’s words to bring to life some of his most personal, exciting, and challenging experiences.
REVIEW: Shakespeare By Any Other Name at Dauntless City Theatre
Part history lesson, part joyful romp through Shakespeare’s works, the sixty-minute play in the heart of St. James’ Park attempts to return the playwright to the people.
Guild Festival Theatre’s The Drowning Girls Opens in Scarborough
GFT’s final production is the multi-award-winning play The Drowning Girls, a true crime tale about three women married to and murdered by the same man.
Buddies in Bad Times Theatre Reveals Their 45th Anniversary Season
Buddies in Bad Times Theatre is celebrating with a season that showcases both epic queer stories from history and innovative new works from a diverse roster of artists.
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