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Graham Isador
Graham Isador is a writer and theatre creator based in Toronto. Best known for his time as a contributing editor with VICE, his work has appeared in The Globe and Mail, the BBC, and GQ. Isador is the author of several plays including Situational Anarchy, Served, and White Heat.
LEARN MORELondon’s Grand Theatre unveils 2025-26 season, including three musicals
The Grand Theatre has announced its six-show subscription season, which features three musicals, a pair of comedies, and the winner of the 2024 Pulitzer Prize for Drama.

A story with no expiry date: Adapting Fall On Your Knees
At this critical political juncture, as so many forces in the world try to mute and silence women, our Canadian stories merit our advocacy and fervent attention.
REVIEW: In Canadian Stage’s Fat Ham, revenge is a dish best served smoked
Fat Ham is self-aware of its nature as an adaptation, twisting the audience’s familiarity with both Hamlet and Blackness to disrupt their assumptions of who these characters are as people.
REVIEW: How Shakespeare BASH’d transformed The Merchant of Venice into a tense, layered tragedy
Julia Nish-Lapidus’ recently closed production sensitively explored the issues raised in Mark Leiren-Young’s Playing Shylock without purporting to offer any answers.
Q&A: Playwright-performer Kelly Clipperton on his new ‘one-man-lady-cabaret’ show
Let’s Assume I Know Nothing, and Move Forward From There offers a look at grief, joy, and the unexpected lessons that accompany personal transformation.
REVIEW: The Secret to Good Tea balances poetry and humour at London’s Grand Theatre
This co-production with National Arts Centre Indigenous Theatre offers deeply personal insights into under-acknowledged aspects of Canada’s colonial past and present.
YPT has crossed the theatre/comedy barrier for an imaginative retelling of Snow White with an all-star double cast spanning both genres.
Thriving, Brilliant, Brave, Sexy Activism: In Conversation with Darrah Teitel
"If I was trying to change the world, Canadian theatre spaces are probably not the most efficient way to do that..but the liveness of theatre and the beautiful communal experience just cannot be replicated anywhere else.”
What I Wish I’d Known: Laura Nanni
Cultivate the same environment of creativity and fun for yourself that you wish for the artists and audience you plan for.
What I Wish I’d Known: Andrea Donaldson
I believe in a huge distinction between pressure and stress. One is exciting and passionate and one is toxic.
What I Wish I’d Known: Johnnie Walker
You’re going in the right direction, even if the journey winds up taking longer than you planned for.
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