Artistic director Brendan Healy and executive director Monica Esteves have announced their inaugural season at Canadian Stage. The season, featuring six world premieres, showcases local and national talent, and welcomes international artists from Argentina, Australia, China, Rwanda, South Africa, and the United States. The season also presents co-productions and partnerships with TOLive, Studio 180, The Musical Stage Company, and Volcano Theatre.
“For my first season, we are bringing together some of the brightest artistic luminaries from home and abroad to paint an authentic reflection of our city and country; one that is creative, curious, caring, and hopeful,” says Healy. “In a world that seems to be increasingly ruled by fear, our 19.20 season is an assertion that we, as a people, continue to choose compassion.”
The season honours Canadian Stage’s legacy while forging a deeper connection to the people of Toronto. “The continued, storied and impactful evolution of Canadian Stage is inspiring to me,” says Esteves. “It has been a Toronto cultural cornerstone for so many: artists, audiences, city builders.”
Several acclaimed artists and companies with a rich history of partnering with Canadian Stage—Marie Chouinard, Red Sky Performance, Britta Johnson—return with new and exciting work. Works of world-renowned artists debut across the season, including two new plays from Susanna Fournier, the Toronto premiere of Lynn Nottage‘s Pulitzer Prize-winning play Sweat, and best selling author and Polaris Music Prize nominee Vivek Shraya‘s theatre debut.
To read more about the fourteen works featured in the 2019-2020 season, read below.
SHAKESPEARE IN HIGH PARK (Canada)
July 4 – September 1, High Park Amphitheatre
By William Shakespeare
Much Ado About Nothing directed by Liza Balkan
Measure for Measure directed by Severn Thompson
A Canadian Stage Production in collaboration with the Department of Theatre, School of the Arts, Media, Performance and Design at York University.
Our season begins under the stars where every summer over 35,000 people enjoy Canada’s longest-running outdoor theatre experience. Returning for its 37th season, this year features two adaptations of the Bard’s most popular and enduring works. The battle of the sexes is on full display with a comedic tale of love and desire, Much Ado About Nothing, and the timeless story of morality and power, Measure for Measure.
THE BOOK OF LIFE (Rwanda/Canada)
September 17 – 29, Marilyn and Charles Baillie Theatre (formerly the Berkeley Street Theatre)
Written + Performed by Odile Gakire Katese
Directed by Ross Manson
Projections Created by Sean Frey
A Volcano Theatre Production Presented by Canadian Stage. Underwritten by Sandra Simpson in recognition of her generous gift to Canadian Stage’s Transformation Campaign
September opens with the world premiere of The Book of Life by Rwandan artist and humanitarian Odile Gakire Katese in a ground-breaking collaboration with Ross Mason, one of Canada’s most celebrated directors. To commemorate the 25th anniversary of the Rwandan genocide, Katese takes the audience on a remarkable journey of resilience and hope. Filled with music, performance, and letters written to the dead by survivors and perpetrators, The Book of Life is a celebration of life and shows us how we can triumph over adversity and forgive. As Canada faces its own reconciliation and truth, The Book of Life is a lesson in how cultures can move past trauma to find a new positive future together.
UN POYO ROJO (Argentina)
October 3 – 11, Marilyn and Charles Baillie Theatre
Directed by Hermes Gaido
Choreographed by Nicolás Poggi + Luciano Rosso
Performed by Alfonso Baron + Luciano Rosso
A Canadian Stage Presentation
The internationally-celebrated Argentinian comedy/dance sensation, Un Poyo Rojo, make their Toronto debut. A hilarious exploration of masculinity, this epic slapstick masterpiece combines contemporary dance with the physical comedic genius of Charlie Chaplin and Abbott and Costello to create a laugh- out-loud masterpiece.
October 17 – 27, Marilyn and Charles Baillie Theatre
Choreographed by Yang Zhen
A Red Virgo Production from Beijing Presented by Canadian Stage
A rising international star of contemporary dance, Chinese choreographer Yang Zhen, makes his first visit to North American with the premiere of Minorities. In Minorities, Zhen gives a voice to the social condition of a new generation of ethnic minorities in China. Using dancers and performers from the Tibet region, Inner Mongolia, the Uyghur Autonomous Region Xinjiang and Macao, as well as a Korean-Chinese opera singer, this powerful dance, theatre creation examines the constant conflict between social prejudice and artists need to express themselves and relate their identities to the world they live in.
LET’S RUN AWAY (Canada)
October 31 – November 17, Marilyn and Charles Baillie Theatre
Written + Performed by Daniel MacIvor
Directed + Dramaturged by Daniel Brooks
Produced by Rework Productions Presented by Canadian Stage
The dynamic duo of Daniel McIvor and Daniel Brooks returns to Canadian Stage with the world premiere of Let’s Run Away. A virtuosic solo work about love, abandonment and the stories we tell ourselves, Let’s Run Away chronicles the life of Peter, who after finding his estranged mother’s memoir following her death, reads aloud the story of his life as told sometimes incorrectly by his mother.
November 8-9 at the Bluma Appel Theatre
Created by Bangarra Dance Theatre
A Bangarra Production Co-Presentation by Canadian Stage and TOLive
Our first co-presentation of the season with TOLive brings Australia’s internationally-renowned company, Bangarra Dance Theatre to Toronto with the premiere of Spirit. Infusing 65,000 years of Aboriginal and Torres Island culture with exhilarating contemporary movement, Spirit weaves together storytelling, theatre, dance and music to create a magical, spiritual, and totally original theatrical experience that transports the audience to a mysterious and sacred space.
SWEAT (United States)
January 14-February 2, Marilyn and Charles Baillie Theatre
Written by Lynn Nottage
A Canadian Stage and Studio 180 Co-Production. This production has been generously underwritten by David W. Binet
Canadian Stage and Studio 180 present the Toronto premiere of the Pulitzer Prize-winning, Olivier Award-nominated play Sweat by celebrated U.S. playwright Lynn Nottage. A searing examination of race, politics and friendship, Sweat chronicles a group of friends working at a steel mill who decompress at the local bar. When rumours surface that the company is considering layoffs and flyers are hung to recruit non-union workers for less money, the war between community and capitalism begins and tension starts destroying not only jobs, but relationships. As Oshawa faces the closure of its General Motors plant, this production is a necessary investigation into the impact of industrial decline.
RADICAL VITALITY Solos and Duets (Canada)
February 5 – 9, Bluma Appel Theatre
Choreographed by Marie Chouinard
A Compagnie Marie Chouinard Production Co-Presentation by Canadian Stage and TOLive
Marie Chouinard, one of the Canada’s greatest and most acclaimed dancers and choreographers, delves into her company’s vast 40-year repertoire to present reworked solos and duets. A co-presentation with TOLive, Radical Vitality’s bold, visceral, sexual and experimental dance miniatures reveal Chouinard’s unique power and vision. A special opportunity to experience a true genius over her artistic lifetime.
HOW TO FAIL AS A POPSTAR (Canada)
February 18 – March 1, Berkeley Upstairs Theatre
Written + Performed by Vivek Shraya
Directed by Brendan Healy
A Canadian Stage Production Commissioned by Canadian Stage
Vivek Shraya, Polaris Music prize nominee, visual artist, filmmaker and bestselling author of I’m Afraid of Men, makes her theatre debut with the world premiere of How to Fail As a Pop Star. Illuminating, raw, honest and hopeful, this solo performance chronicles Vivek’s journey to “not quite” pop music superstardom. A reflection on the power of pop culture, dreams, disappointments, and self- determination, this astonishing performance is a triumph in finding one’s authentic voice.
AF (Canada/South Africa)
February 18-March 1, Marilyn and Charles Baillie Theatre
Created + Directed by Sandra Laronde and Neil Coppen
A Red Sky Performance Production Presented by Canadian Stage
A leading in contemporary Indigenous performance, Toronto’s internationally renowned Berkeley Street Company-in-Residence Red Sky Performance, returns with the world premiere of a daring new work in physical theatre. AF casts an Indigenous lens on George Orwell’s classic dystopian fable, Animal Farm. A collaboration between Red Sky’s Sandra Laronde and South African playwright and director, Neil Coppen, this explosive new work will leave audiences breathless.
ALWAYS STILL THE DAWN (Canada)
April 7 – 26, Marilyn and Charles Baillie Theatre
Written by Susanna Fournier
Directed by Liza Balkan, Severn Thompson
A Canadian Stage Production Commissioned by Canadian Stage
Award-winning playwright Susanna Fournier is one of the most significant and inspiring voices of her generation. Following the rousing success of her critically acclaimed trilogy, The Empire, Fournier presents the world premiere of two plays, All the Ways You Scare Me and Ghosts of My House. These rebellious works traverse the hilarity and heartbreak of women caught in the powerful interplay between modern and the mythic — subverting everyday notion of family, addiction, and femininity.
April 22-26, Bluma Appel Theatre
Choreography + Direction by Guillaume Côté
Story + Text by Royce Varek
Music by Mikael Karlsson
Projection + Set by Hub Studio
An Anymotion Production Co-Presented by Canadian Stage and TOLive. Co-Produced by Canadian Stage and The Festival Des Arts De Saint-Sauveur with additional support from the Banff Centre for Arts and Creativity. Crypto was made possible with the generous support of La Fondation Emmanuelle Gattuso
The National Ballet of Canada’s Guillaume Côté, one of the most electrifying and in demand dancers in the world, takes the leap from dancer to choreographer in the Toronto premiere of Crypto. A co-presentation with TOLive, this cutting-edge contemporary dance creation, featuring the music of Swedish composer Mikael Karisson, is infused with theatre and technology to create a dark and erotic work that examines forced displacement and the human need to control and transform beauty.
KELLY V. KELLY (Canada)
May 15-June 7, Marilyn and Charles Baillie Theatre Book by Sara Farb
Music + Lyrics by Britta Johnson
Directed by Robert McQueen
A Musical Stage Company Production in association with Canadian Stage. Part of The Musical Stage Company’s Crescendo Series. Developed with support from the National Arts Centre’s National Creation Fund
Berkeley Street Company-in-Residence, The Musical Stage Company, creators of Life After, returns to Canadian Stage with the world premiere of Kelly v. Kelly. Inspired by true events from 1915 in New York–when a wealthy mother had her heiress daughter arrested for falling in love with a tango dancer–this riveting new musical reveals the story of a mother and daughter divided by passion, money, female emancipation, and the tango. Featuring a lively musical score and mesmeric choreographer, Kelly v. Kelly will take you into the imaginations of two of Canada’s greatest musical theatre voices.
19.20 subscription renewals are on sale with four-show packages, seven-show packages, and ten show packages. Subscriptions can be purchased online at canadianstage.com, by phone at 416-368-3110 or in person at the Berkeley Street Theatre Box Office, located at 26 Berkeley Street.
Single tickets will be on sale June 3. Full details on the productions and subscription packages are available online.