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/By / Mar 7, 2024
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Maija Kappler
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Maija Kappler

Maija is the co-founder and former co-editor of Intermission. She’d like you to know that her name is pronounced just like “Maya.”

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Mazin Elsadig in 'The Comeuppance.' Photo by Dahlia Katz. Set design by Shannon Lea Doyle, costume design by Ming Wong, lighting design by Jason Hand. iPhoto caption: Mazin Elsadig in 'The Comeuppance.' Photo by Dahlia Katz. Set design by Shannon Lea Doyle, costume design by Ming Wong, lighting design by Jason Hand.

REVIEW: Soulpepper’s The Comeuppance unpacks high-school reunions with deadly, millennial-aged precision

Macabre and drama-filled yet surprisingly gentle, The Comeuppance will probably be most compelling to the around-40 crowd who share its specific touchstones and millennial angst from a high-school experience bookended by Columbine and 9/11.

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'Le Malentendu' production photo. iPhoto caption: Christina Tannous and Béatrice René‑Décarie in 'Le Malentendu.' Photo by Mathieu Taillardas.

REVIEW: TfT delivers humour and cruelty in striking rendition of Camus’ Le Malentendu

Director Karine Ricard banishes all earthly joy from the scene, leaving behind an almost lunar coldness.

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iPhoto caption: Headshot by Andy Moro.

Tara Beagan wins 2025 Governor General’s Award for drama

Published by Playwrights Canada Press, her multilingual play Rise, Red River connects environmental devastation with the intergenerational impacts of colonial violence.

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Olivier Normand in 'The Far Side of the Moon.' iPhoto caption: Olivier Normand in 'The Far Side of the Moon.' Photo by Li Wang.

REVIEW: Lepage’s ethereal The Far Side of the Moon is insomniac theatre

The Far Side of the Moon begins and ends with a large mirror on stage, and the show extracts enigmatic power from the tantalizing question of whether its protagonist is losing himself in his reflection, or moving toward self-discovery.

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Shaakir Muhammad, Christopher Gerty, and Matthieu Pagès with artists of the National Ballet in 'Procession.' Photo by Karolina Kuras. Courtesy of the National Ballet of Canada. iPhoto caption: Shaakir Muhammad, Christopher Gerty, and Matthieu Pagès with artists of the National Ballet in 'Procession.' Photo by Karolina Kuras. Courtesy of the National Ballet of Canada.

REVIEW: National Ballet’s Procession tangles the lines of sorrow and sensuality

Procession, the National Ballet of Canada’s brooding and stylized world premiere ballet, rushes to the stage with startling vitality — and does so at a funeral.

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The company of CHILD-ish at Tarragon. iPhoto caption: The company of 'CHILD-ish.' Photo by Jae Yang.

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It’s a giggly good time, if a pinch oversweet.

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