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At Next Stage 2024, two shows complicate the meaning of a night out

Gemini, by Louise Casemore, and Prude, by Lou Campbell, explore the hospitality industry and bar culture from different perspectives.

REVIEW: In Ronnie Burkett’s darkly intelligent Wonderful Joe, gentrification hits like a meteor

When Siminovitch-winning puppet virtuoso Ronnie Burkett chose the focus of his latest play, was he thinking of TO Live’s $421-million plan to redevelop its St. Lawrence Centre for the Arts?

REVIEW: 13 Plays About ADHD All At The Same Time is true to its title

While the play’s structure may occasionally leave you feeling as scattered as its protagonists, its heart, humour, and raw honesty will keep your thoughts churning well into the night.

Speaking in Draft: Byron Laviolette

“Right now, the creation-to-production process for a lot of people is from the Toronto Fringe to — hopefully — some theatre recommender grants, to a workshop production, to maybe an actual production,” says What The Festival co-founder Byron Laviolette. “But the realities of mounting a show at the Fringe don’t translate to a two-week run at the Extraspace at Tarragon. Peoples’ appetites are different. Yet we don’t train or support people to translate their shows into those different contexts."

REVIEW: Goblin:Macbeth might just leave you gobsmacked 

While most of the entertainment comes from the goblins’ antics whenever the Shakespearean text is paused or subverted for comic effect, the secret sauce to this whole endeavour is that it really is an honest-to-goodness staging of that text, designed to showcase the performers’ near-virtuosic mastery of the material.

REVIEW: The Thanksgiving Play wriggles in performative wokeness

In 2024, is there a way to produce an engaging, culturally sensitive play about the first American Thanksgiving for elementary schoolers? The Thanksgiving Play, penned by Native American playwright Larissa FastHorse and now playing at Mirvish’s CAA Theatre, poses that question in its first five minutes, then throws the query out with the cranberry sauce in its madcap exploration of a devised theatre piece at an unnamed primary school.

A Message from Intermission’s Editors

May Antaki and Maija Kappler, co-founders and co-editors-in-chief of Intermission, are stepping down.

Casting Announcement: what I call her

Here's the cast for Ellie Moon's play "what I call her," directed by Sarah Kitz, opening at Crow's Theatre this November.

Theatre this Week: Stratford Edition

Here are the Stratford Festival plays to see for the week of June 4 - 10, 2018.

Theatre this Week: May 28 – June 3

These are the plays to see in Toronto for the week of May 28 - June 3, 2018.

Here Are the 2018 Toronto Theatre Critics Award Winners

Toronto's theatre critics just announced their favourite shows of the year for 2018.

Telling the Story of the Murder Trial that Changed the Country

Fiction about a real-world tragedy risks sensationalizing the events that remain painful for a lot of people. But they also provide the opportunity to explore human behaviour, to directly address the impacts of violence and trauma.