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With the help of Tim Crouch and Hannah Moscovitch, this year’s Luminato Festival delves ‘beneath the city’s surface’

“As a newcomer to Toronto, I was immediately inspired by what makes the city tick,” says artistic director Olivia Ansell. “I really embrace this sense that the city has a pulse.”

Tarragon and Musical Stage Company debut After the Rain, a new musical about the riff-filled rise of a fictional Canadian band

“Hundreds of pages of text have been cut,” says composer Suzy Wilde. “Many songs have been put on the back burner. That's what writing a musical is: there's a ton of editing that has to be done.”

REVIEW: Shaw Festival’s The Lion, the Witch and the Wardrobe needs a louder roar

Sometimes, theatre transports you to a fantastic new world. Other times, you get a wardrobe full of coats.

In Lighthouse Festival’s The New Canadian Curling Club, a classic Canadian sport helps newcomers break the ice 

“I had this idea to write a play about a group of relative strangers who come together with one common goal,” says playwright Mark Crawford. “I love that kind of narrative: people from disparate parts of a community who come together to form their own little community.”

REVIEW: Tapestry Opera’s Sanctuary Song charts an elephant’s tumultuous journey from captivity to liberation

The Dora Award-winning, family-friendly opera has returned to mark the opening of Tapestry's new venue on Yonge Street.

How four GTA drama teachers are modelling the importance of connection, empathy, and collaboration

I suspect that most people who work in theatre professionally, and many who don’t, have a story about a high school drama teacher who changed their life. This edition of Speaking in Draft is a celebration of those figures.

York University’s Facing Backlash symposium builds solidarities in tough times

The symposium’s two packed days felt to me like the collective pursuit of an elusive, shape-shifting prey. But as participants shared experiences, and common-interest groups opened up their internal dialogue to the rest of the symposium, the contours of what we’re all up against started to come into focus for me, and I felt a collective sense of purpose growing.

REVIEW: Guillermo Verdecchia’s Feast is a fascinating text, but Tarragon’s new production feels hazy

I found the play really resonant and rich and layered. It’s about globalization, privilege, travel, displacement, and inequity, and it brought up many associations and past experiences for me. But I don’t feel that Soheil Parsa’s production fully comes together.

REVIEW: Titaníque loves Céline Dion with all its heart

Content quibbles aside, Titaníque’s inarguable accomplishment is musical: What an amazing showcase for a Canadian cast’s vocal chops and capacity to deliver character through song.

REVIEW: What the Constitution Means to Me froths with urgency

Despite the surprisingly intimate nature of the material, I found myself more impressed than moved by this show. It’s one of those pieces that slowly reveals itself as theatrical premises strip away, and perhaps it’s the extra layers of distance and biography that for me kept the material at an emotional distance.

Enter Stage Right: The Future of Intermission Magazine

Hello from the new leadership team of Intermission Magazine!

REVIEW: Festival TransAmériques — Weekend Two

Bonjour hi encore – et mon dieu, so many festivals!