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Karen Fricker
Karen Fricker is a theatre critic at the Toronto Star, editorial advisor for Intermission magazine, adjunct professor of Dramatic Arts at Brock University, and a member of the Canadian Theatre Critics Association. She previously worked as a critic in London, UK; Dublin, Ireland; and New York City, and has a PhD in theatre studies from Trinity College, Dublin. Her book The Original Stage Productions of Robert Lepage: Making Theatre Global (Manchester University Press) was the winner of the 2022 Canadian Association for Theatre Research’s Ann Saddlemyer Award for the best book in English on a Canadian topic. Her research interests also include contemporary circus and the changing nature of theatre criticism in the digital age.
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iPhoto caption: Photo by Johan Persson.
REVIEW: Life of Pi gleams with unforgettable puppets
Based on the beloved novel by Yann Martel, the exquisite touring production uses puppets as its vocabulary, asking complex questions about storytelling and the power of imagination.
iPhoto caption: Photo by Elana Emer.
REVIEW: Infinite Life thrums with meditations on chronic illness and pain
Director Jackie Maxwell’s production at Coal Mine Theatre, featuring six generous, empathetic performances, is a paean of understanding for the chronically ill, candidly examining the despair and fury of bodily helplessness in a way that’s magnified by our proximity to the characters in the intimate space.
iPhoto caption: Photo by Dahlia Katz.
REVIEW: In Rosmersholm, ghosts abound
While the play’s ideas sizzle and pop with contemporary verve, the story’s an occasionally frustrating vessel for those captivating sentiments on politics and identity.
iPhoto caption: Festival image of Jessica Zepeda by Ana Higuera, poster design Victor Terzis
Aluna Theatre drops 2024 RUTAS Festival lineup
The festival showcases a lineup of interdisciplinary talent from across the Americas, with programming connected around the theme of “personal cartographies.”
iPhoto caption: Photo by Dahlia Katz
REVIEW: 1s1 Theatre’s Qalb marries autobiography with ASL poetry
Since much of Qalb is about distance — between mind and heart, justice and reality, me and you — it’s a powerful statement of hope to conclude with the bridging of a gap.
iPhoto caption: Rehearsal photos from The Year of Magical Thinking courtesy of County Roads Theatre Company.
Joan Didion adaptation to play Prince Edward County this fall
This month, County Roads Theatre Company will present The Year of Magical Thinking, a solo show based on the Joan Didion memoir of the same name.
Enter Stage Right: The Future of Intermission Magazine
Hello from the new leadership team of Intermission Magazine!
REVIEW: Festival TransAmériques — Weekend Two
Bonjour hi encore – et mon dieu, so many festivals!
Young People’s Theatre Unveils $13.5 Million Renovation
Young People’s Theatre (YPT) is sharing the fruits of it $13.5 million Room for Imagination renovation project.
Bad parents, no. Excellent play, yes.
iPhoto caption: Original photography by Dahlia Katz.
REVIEW: King Henry Five at Driftwood Theatre
This refreshing take on Shakespearean history is well worth a look.
REVIEW: Detroit at Coal Mine Theatre
I appreciated this production as a chance to engage with a well-wrought piece of contemporary dramaturgy, but was also left wondering if Detroit is a play of a moment that has passed.
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