Skip to main content

Enter Stage Right: The Future of Intermission Magazine

int(100676)
/By , / Jul 24, 2023
SHARE

Hello from the new leadership team of Intermission Magazine!

You’ll have read in founding publisher Philip Riccio’s essay on Friday that he’s moved on from running this publication, which he created in 2016 and which has flourished ever since as a site for lively, artist-led coverage of theatre in Toronto and increasingly, beyond. Theatre critic and academic Karen Fricker joined the team as an editorial advisor in March 2022, working closely with senior editor Aisling Murphy on bringing reviews into Intermission’s coverage. Suzanne Cheriton, longtime associate of the Company Theatre, came on board in January 2023, and brings her extensive experience as a publicist and producer to the publishing side of Intermission’s activities.

We came together around our shared belief in the value of keeping Intermission going and the urgent need to maintain space for smart, engaged coverage of Canadian theatre. We’re thrilled to report that the previous fiscal year was Intermission’s most robust to date, and with the existing team of Murphy, Jessica Watson, and Janice Peters Gibson, Intermission is as lively as ever, and preparing for the 2023-24 season.

We want to again thank Philip for his leadership in launching Intermission and stewarding it over the last seven years, and we are so excited for what the future holds!

Karen Fricker & Suzanne Cheriton

Karen Fricker
WRITTEN BY

Karen Fricker

Karen Fricker is a theatre critic at the Toronto Star, editorial advisor for Intermission magazine, adjunct professor of Dramatic Arts at Brock University, and a member of the Canadian Theatre Critics Association. She previously worked as a critic in London, UK; Dublin, Ireland; and New York City, and has a PhD in theatre studies from Trinity College, Dublin. Her book The Original Stage Productions of Robert Lepage: Making Theatre Global (Manchester University Press) was the winner of the 2022 Canadian Association for Theatre Research’s Ann Saddlemyer Award for the best book in English on a Canadian topic. Her research interests also include contemporary circus and the changing nature of theatre criticism in the digital age.

LEARN MORE
Suzanne Cheriton
WRITTEN BY

Suzanne Cheriton

Suzanne Cheriton is one of Canada’s most established and respected arts and entertainment communications professionals. With over 20 years of career experience Suzanne has represented film, television, and performing arts producers and artists at various stages of the presentation cycle including unit publicity, festival launches, theatrical and broadcast launches, season announcements and production openings. After getting a BFA in Theatre from York University she began her career working in film festival and distribution publicity at VKPR, contributing to campaigns for FoxSearchlight Pictures in Canada, the Hot Docs Film Festival and representing films at the Toronto International Film Festival. She launched RedEye Media in 2005, quickly becoming an industry mainstay with a continued focus on film and television and expanding her practice to include unit publicity, joining IA667. She has also brought her diverse skillset to film producing in the past, with credits on two feature films. Suzanne eventually made a full circle back to her roots, adding live theatre into her media relations practice and working with leading companies including Canadian Stage, Coal Mine Theatre, and Luminato Festival to name just a few. After managing media relations for the SummerWorks Festival for six years, Suzanne now sits on their Board of Directors.

LEARN MORE

Comments

Leave a Comment

Your email address will not be published. Required fields are marked *


Poster for CBC Podcasts' Tunnel Runners iPhoto caption: Poster courtesy of CBC Podcasts

PlayME releases trailer for new audio drama Tunnel Runners

Launching on October 30, the series follows Cam, a 16-year-old gifted student whose struggles with anxiety and depression lead him into a labyrinth of hidden subway tunnels beneath Toronto.

By Liam Donovan
Prude production photo: The King of the Party, played by Lou Campbell, is wearing a tight, light pink full-body suit that covers everything except their eyes and mouth. On their head is a simple pink crown with jagged points. They are standing on one leg, with the other bent and lifted, while both arms are stretched out wide, mid tap dance. They are wearing beige tap shoes. Behind them is a black chair and a pair of pink shoes lying on the floor. The scene is set against a completely black background, with pink lighting highlighting the figure on stage. iPhoto caption: Prude production photo by Daniel Wittnebel

Toronto Fringe unveils 2024 Next Stage programming

The Toronto Fringe has announced the lineup for the 17th annual Next Stage Theatre Festival, running at Buddies in Bad Times Theatre from October 16 to 27.

By Liam Donovan
iPhoto caption: Festival image of Jessica Zepeda by Ana Higuera, poster design Victor Terzis

Aluna Theatre drops 2024 RUTAS Festival lineup

The festival showcases a lineup of interdisciplinary talent from across the Americas, with programming connected around the theme of “personal cartographies.”

By Liam Donovan
year of magical thinking iPhoto caption: Rehearsal photos from The Year of Magical Thinking courtesy of County Roads Theatre Company.

Joan Didion adaptation to play Prince Edward County this fall

This month, County Roads Theatre Company will present The Year of Magical Thinking, a solo show based on the Joan Didion memoir of the same name.

By Aisling Murphy
crows cabaret iPhoto caption: Stock image of Crow's Theatre by Dahlia Katz.

Crow’s Theatre reveals intimate cabaret programming

This season, the company will present Crow’s Cabaret, a series of concerts and small-scale productions, alongside its roster of larger plays.

By Aisling Murphy
lighthouse festival theatre iPhoto caption: A stock image of Lighthouse Festival Theatre in Port Dover.

Lighthouse Festival Theatre announces 2025 season, curated by incoming artistic director Jane Spence

Lighthouse Festival Theatre, located in Port Dover and Port Colborne, has announced its jam-packed 2025 summer season.

By Aisling Murphy