Skip to main content

Toronto Fringe unveils 2024 Next Stage programming

Prude production photo: The King of the Party, played by Lou Campbell, is wearing a tight, light pink full-body suit that covers everything except their eyes and mouth. On their head is a simple pink crown with jagged points. They are standing on one leg, with the other bent and lifted, while both arms are stretched out wide, mid tap dance. They are wearing beige tap shoes. Behind them is a black chair and a pair of pink shoes lying on the floor. The scene is set against a completely black background, with pink lighting highlighting the figure on stage. iPhoto caption: Prude production photo by Daniel Wittnebel
/By / Sep 27, 2024
SHARE

The Toronto Fringe has announced the six-show lineup for the 17th annual Next Stage Theatre Festival, running at Buddies in Bad Times Theatre from October 16 to 27.

Produced by companies hailing from Edmonton, Halifax, and Toronto, the offerings include solo shows, musicals, and dramas. As usual, the curated festival’s aim is to showcase artists ready to take their practice to the next level.

Complementing the full-length productions is a host of special events including a party celebrating the festival’s opening on October 16, a community social for indie arts workers on October 19, and an all-Deaf shadowcast of the Rocky Horror Picture Show (presented by the Disability Collective) on October 27.

The 2024 Next Stage Theatre Festival’s lineup of full productions is listed below. For more information, visit the Toronto Fringe’s website.


2024 Next Stage Theatre Festival lineup

Civilized (Civilized Productions)
Written by Keir Cutler
Directed by John D. Huston, Paul Hopkins, and Jay Havens
Performed by John D. Huston

In this satirical solo show about the banality of evil, fictional 20th-century civil servant William Blank is back from the dead and selling Canadians on the civilizing influence of residential schools. Using songs, jokes, poetry, and sound bites, William defends the violent actions of Wilfrid Laurier’s government.

Gemini (Defiance Theatre)
Written by Louise Casemore
Directed by Mitchell Cushman and Chantelle Han
Performed by Louise Casemore and Vern Thiessen

Previously performed at the High Performance Rodeo in Calgary, this two-hander about the generational divide between a bartender and a regular customer asks: Who really holds the power when someone’s paying the tab?

I Was Unbecoming Then (Downtown Theatre)
Written by Lyndsey Bourne
Composed by Sam Kaseta
Directed by Ilana Khanin
Performed by Astrid Atherly, Olivia Daniels, Tkaia Green, Lara Hamburg, Anikka Hanson, Thea Mae Hesler, Shannon Murtagh, heeyun park 박희윤, Riel Reddick-Stevens, Grace Rockett, Lizzie Song, 陳佳琦 Jenn Tan, Miranda Wiseman, and Ellyse Wolter

In this new Vancouver-set musical, 12 girls in a high school choir assemble to practice and perfect their parts, each eager to please Bruce, the choir director. As with any choir, they’re constantly listening to each other; they tune and harmonize as they adjust to each other’s movements, sounds, and rhythms.

The Noose (Abigail Whitney Productions)
Written by Frankétienne
Translated by Dr. Asselin Charles
Directed and produced by Abigail Whitney
Performed by Edmond Clark and Louco St. Fleur

This 1978 drama sees two Haitian immigrants — a middle-class intellectual and a peasant — clash, banter, and ultimately unite in a New York City basement apartment in the 1980s.

Prude (Probably Theatre Collective)
Created and performed by Lou Campbell
Directed by Stevey Hunter

This high-energy hit from Fringe 2022 is a solo show that blends stand-up and drag. The piece begins as a motivational talk on the topic of how to have a good time. Through lip-syncs and mortifying personal tales, we watch the lecturer — named the King of the Party — slowly unravel onstage.

This Feels Like The End (Theatre Aurinko)
Written by Bonnie Duff
Directed by Michelle Blight
Performed by Cameron Laurie, Jasmine Case, Landon Nesbitt, Tara Koehler, and Bonnie Duff

This contemporary thriller asks what would happen if one day the sun stopped rising. The lives of five Torontonians collide in an explosion of faith, folklore, and conspiracy: A mother and child grapple with the inexplicable, others prepare for armageddon, and one returns home to northern Finland.


Next Stage Theatre Festival runs at Buddies in Bad Times Theatre from October 16 to 27. More information is available here.

Liam Donovan
WRITTEN BY

Liam Donovan

Liam is Intermission’s senior editor. He lives in Toronto. His Substack newsletter is available at loamdonovan.substack.com.

LEARN MORE

Comments

Leave a Comment

Your email address will not be published. Required fields are marked *


Two men hold an Equity banner in 1997. iPhoto caption: Two men hold an Equity banner in 1997. Photo courtesy of Equity.

‘There’s no theatre without actors and stage managers’: Canadian Actors’ Equity Association marks 50 years

“Live performance is so special because it challenges perspectives. It's inclusive. It's an economic engine. It knits us together as a society, and I think that we have to remember the value of it,” says Equity executive director Alex Levine.

By Liam Donovan
Eric Woolfe in 'The Call Centre of Cthulhu.' iPhoto caption: Eric Woolfe in 'The Call Centre of Cthulhu.' Photo by Jack Woolfe.

REVIEW: In Eldritch’s puppet-packed Call Centre of Cthulhu, coincidence signals apocalyptic doom

It's a campy-as-ever blend of puppets, character voices, and card tricks — a dose of classic Eldritch excess, timed to the Halloween season.

By Liam Donovan
The Lula Lounge in Toronto. Photo by Sam Gaetz. iPhoto caption: The Lula Lounge in Toronto. Photo by Sam Gaetz.

At events across the country, Canadian Actors’ Equity Association celebrates 50 years

Equity represents nearly 6,000 professional artists working in opera, English-language theatre, and dance nationwide, advocating for fair wages, safe working conditions, and more.

By Liam Donovan
Karen Robinson in 'Prophetess.' Photo by Jae Yang. iPhoto caption: Karen Robinson in 'Prophetess.' Photo by Jae Yang.

REVIEW: In Tarragon’s outstanding Prophetess, language is both mighty and inadequate

Margaret’s facility with text helps her maneuver through an institution like York University, where words hold significant power. But the brilliant middle-aged scholar finds herself surprisingly unequipped to process the true sense of more elemental forces: love, grief, spiders.

By Liam Donovan
'Documents Perform 3.' iPhoto caption: 'Documents Perform 3.' Photo by T Photo Factory.

REVIEW: The Massey Report shaped Canadians’ perception of the arts. These theatre-makers are rewriting it.

Joining online from across the Americas, more than a dozen artists, artistic producers, cultural leaders, and policymakers add live suggestions to the document, together transforming stuffy bureaucratic language into a rowdy patchwork of compassionate imagining.

By Liam Donovan
iPhoto caption: Stratford's Tom Patterson Theatre. Photo by Ann Baggley.

Jonathan Church’s first Stratford Festival season serves up musicals, Shakespeare, and literature adaptations — with a helping of Saul Rubinek

2027 highlights include a new Canadian Jacob Two-Two musical and two of the Bard’s thornier plays: The Merchant of Venice and The Taming of the Shrew.

By Liam Donovan