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Gabrielle Marceau
Gabrielle Marceau is a writer, critic, and editor living in Toronto. She has contributed essays, criticism, and (occasionally) poetry to Sight and Sound, Geist, Mubi Notebook, Cinemascope, Reverse Shot, and Arc Poetry, among others. She is the founding editor of In The Mood, a triannual online journal about film and pop culture.
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iPhoto caption: L to R: Louise Duff (Ruth), Meg Farhall (Mrs. Bradman), Corrine Koslo (Madame Arcati), Tyrell Crews (Charles), and Christopher Hunt (Dr. Bradman) in Blithe Spirit at Theatre Calgary. Photo by Trudie Lee.
At Theatre Calgary, Corrine Koslo returns to the role of Madame Arcati after 20 years away
“I’m still flying around a bit but I’m not, you know, leaping six feet into the air and things like that,” says Koslo. “And I don’t need to. Then, I did. That was who I was and that’s who I brought to the table.”
iPhoto caption: Photo by Andree Lanthier.
GCTC to close out season with Rachel Mutombo’s Vierge
Co-produced by Montreal’s Black Theatre Workshop and directed by Dian Marie Bridge, Vierge will run from March 18 to 30 at the Irving Greenberg Theatre Centre in Ottawa.
iPhoto caption: Photo of Tara Sky by Jeremy Mimnagh. Set design by Shannon Lea Doyle, costume design by Asa Benally, lighting design by Hailey Verbonac.
REVIEW: The Born-Again Crow is an ardent ode to unproductivity
Director Jessica Carmichael’s Toronto premiere production trucks along with the passionate force of an early-2000s emo rock hit, imbuing this systemic critique with rousing, playful life.
iPhoto caption: Photo by Kendra Epik.
REVIEW: House + Body’s Measure for Measure weds the beautiful with the troubling
House + Body provides few answers about how to resist (or further, dismantle) a corrupt government. But layered portrayals of the play’s central characters convey the emotional stakes of a system that allows for egregious abuses of power.
iPhoto caption: Photo by Dahlia Katz.
REVIEW: Red Snow Collective’s Carried by the River is still finding its flow
Playing in the Tarragon Theatre Extraspace, Carried by the River delivers visually striking images and impressive choreography but struggles to find emotional depth and cohesion.
iPhoto caption: Photo courtesy of the CBC.
As the trade war rages on, CBC’s PlayME stays true to its mandate of platforming Canadian writers
“I think all five of these shows really help us plant a stake in saying who we are as Canadians,” says PlayME co-creator Chris Tolley.
iPhoto caption: Photo by Mathieu Taillardas.
REVIEW: Feu Mr. Feydeau! takes charming liberties with a famous playwright’s life
Feu Mr. Feydeau! is an effortlessly enjoyable historical fantasy that takes on death, the creative act, and life's bittersweet disappointments.
iPhoto caption: Samca production still by Barry McCluskey.
REVIEW: Samca is a disturbing, unique production that explores folklore and womanhood
The feminist folklore play, written by and starring Natalia Bushnik and Kathleen Welch, is an engrossing and sometimes frightening experience, perfect to kick off the scary season.
iPhoto caption: Photo by Marie-Julie Garneau
This is a powerful, deeply-felt performance about the treacherous but necessary work of tracing personal and political histories.
iPhoto caption: Photo by Mathieu Taillardas.
REVIEW: Filles du Roi is an entertaining, thoughtful reappraisal of French Canadian history
Sébastien Bertrand takes these women out of the symbolic realm, giving them fully formed identities.
iPhoto caption: Photo by Mathieu Taillardas.
REVIEW: Convictions thoughtfully explores myth in the modern world
Lara Arabian and Théâtre français de Toronto have created a provocative, timely new work that intelligently explores the contradictions of immigration, family, and faith
iPhoto caption: Photo by Francisco Castro Pizzo.
REVIEW: asses.masses is an endurance performance that takes boredom as its subject
By the sixth or seventh hour, I indeed felt like a worker at the factory of cultural production. I began to ask myself if the demands of the job were too high, if the compensation was fair, and if I felt fulfilled or alienated from working for the proverbial man.
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