sisters-rage-review
Robyn Grant-Moran
Robyn Grant-Moran (Métis Nation of Ontario) is a classical singer, writer, and a jack of many trades who has recently met the requirements to call herself a Bachelor of the Fine Arts (thank you, York University and Indspire!). Along with her BFA, she has also completed the Performance Criticism Training Program with Generator, has studied with some beloved Canadian classical singers, and been in a opera or two. Robyn currently resides in Toronto with her tiny adorable rat dog.
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iPhoto caption: Photo by Mike Meehan.
“Hundreds of pages of text have been cut,” says composer Suzy Wilde. “Many songs have been put on the back burner. That's what writing a musical is: there's a ton of editing that has to be done.”
iPhoto caption: Kelly Wong as Aslan and Élodie Gillett as the White Witch with the cast of 'The Lion, the Witch and the Wardrobe.' Photo by David Cooper.
REVIEW: Shaw Festival’s The Lion, the Witch and the Wardrobe needs a louder roar
Sometimes, theatre transports you to a fantastic new world. Other times, you get a wardrobe full of coats.
iPhoto caption: Photo by Ann Baggley.
“I had this idea to write a play about a group of relative strangers who come together with one common goal,” says playwright Mark Crawford. “I love that kind of narrative: people from disparate parts of a community who come together to form their own little community.”
iPhoto caption: Photo by Dahlia Katz.
The Dora Award-winning, family-friendly opera has returned to mark the opening of Tapestry's new venue on Yonge Street.
iPhoto caption: Top to bottom, L to R: Naguib Keval, Aruna Bhalla, Colin MacLellan, Payge Mildebrath.
How four GTA drama teachers are modelling the importance of connection, empathy, and collaboration
I suspect that most people who work in theatre professionally, and many who don’t, have a story about a high school drama teacher who changed their life. This edition of Speaking in Draft is a celebration of those figures.
iPhoto caption: Photo by Dahlia Katz.
REVIEW: Pride and Prejudice gets a postmodern makeover at London’s Grand Theatre
In spite of some missed opportunities, Pride and Prejudice ends up a lighthearted recontextualization of its source material, which should appease all but the most stolid Janeites.
iPhoto caption: Festival artwork by Mishiikenh Kwe.
Weesageechak Begins to Dance invites artists and audiences to explore newness together
Weesageechak Begins to Dance is the annual festival of new and innovative First Nations, Métis, and Inuit theatre, opening on November 6 at Native Earth Performing Arts.
iPhoto caption: Photo by Mike McPhaden.
There is a rift in the time-space continuum at Withrow Park this summer: multiverse Richard III has met Shakespearean universe Richard III for a coronation and some Shakespearean hijinks.
REVIEW: Otîhêw at Shakespeare in Action
A volcanic eruption and violent colonial expansion has turned the world upside down. Without sun and moon, the realities of famine and smallpox unleash new fears that threaten to unravel the fabric of community.
iPhoto caption: Joelle Peters (left) and Tara Sky (right). Original images of Peters and Sky by Ted Belton.
Change for the Better: On Indigeneity at the Stratford Festival
Both [Sky and Peters] want to honour the Indigenous artists who have worked with the [Stratford] festival for years, quietly carving out space for public and visual representation.
iPhoto caption: Courtenay Stevens, Helen Belay, Brandon McGibbon, Courtney Ch’ng Lancaster perform in The 39 Steps. Photo by Sarah Kirby.
REVIEW: The 39 Steps at County Stage Company
A cast of fantastic actors takes you on an equally fantastic journey through some of the silliest places and situations — it’s great fun.
iPhoto caption: Photo by David Hou
REVIEW: Women of the Fur Trade at the Stratford Festival
Louis Riel is SO dreamy. Tall. A little disheveled and unkempt, because he’s an introspective poet who’s busy fighting for social justice. And he wears glasses. He’s the total package.
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