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Ilana Lucas
Ilana Lucas is a professor of English in Centennial College’s School of Advancement. She is the Vice-President of the Canadian Theatre Critics Association. She holds a BA in English and Theatre from Princeton University, an MFA in Dramaturgy and Script Development from Columbia University, and serves as Princeton’s Alumni Schools Committee Chair for Western Ontario. She has written for Brit+Co, Mooney on Theatre, and BroadwayWorld Toronto. Her most recent play, Let’s Talk, won the 2019 Toronto Fringe Festival’s 24-Hour Playwriting Contest. She has a deep and abiding love of musical theatre, and considers her year working for the estate of Tony-winners Phyllis Newman and Adolph Green one of her most treasured memories.
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iPhoto caption: Photo by Emily Cooper.
REVIEW: Theatre Under the Stars puts a compelling spin on Cats
In the end, Cats left me puzzled, perplexed, and absolutely buzzing. Did I ever learn what Jellicle means? No. Did I have a great time? Absolutely.
iPhoto caption: Images courtesy of Canadian Stage.
At Canadian Stage’s 41st annual Dream in High Park, everyone is Hamlet
“There's something really democratic about outdoor theatre,” says Canadian Stage artistic director Brendan Healy. “Indoor theatre spaces are awesome, but they can sometimes be intimidating and limited. For many people, Dream in High Park is their one trip to the theatre that they do every year. For many young people, it’s their first experience of theatre.”
iPhoto caption: Theresa Cutknife headshot by Dahlia Katz.
Speaking in Draft: Theresa Cutknife
“Of course, we all have to make money and make different sacrifices just to pay the bills, because this city is so horribly overpriced,” says Cutknife. “But why? Why do we have to suffer to feel like we’ve paid our dues to the industry?”
iPhoto caption: Two Fringers pose next to a wall of posters. Photo courtesy of Toronto Fringe.
Missing Toronto Fringe? Now’s your chance to make a difference
Following a successful festival, the Toronto Fringe continues to accept donations as part of its Tip the Fringe campaign.
iPhoto caption: Photos courtesy of the productions photographed. From L-R, top to bottom: 86 Me, Bus Stop, Rosamund, 1 Santosh Santosh 2 Go, Far-Flung Peoples, Death of a Starman, See You Tomorrow, Before We Go, and Gulp.
Toronto Fringe’s New Young Reviewers 2024 | Round Two
The second round of reviews from the Toronto Fringe's New Young Reviewers program is here!
iPhoto caption: Photo by Dahlia Katz.
REVIEW: The Last Timbit is a surprisingly charming commercial gem
The Last Timbit, a show of snow and sweets, had a limited run at the Elgin Theatre in June and is getting a streaming release on Crave on August 12. I, for one, am more than curious to see how a wider audience will react.
iPhoto caption: Witness for the Prosecution production still by Emily Cooper; My Fair Lady production still by Michael Cooper.
Shaw Festival reviews: My Fair Lady and Witness for the Prosecution sing
Through the Shaw Festival’s elegant, sharp handling, both works manage to feel fresh and germane to a 2024 audience.
REVIEW: Eldritch Theatre’s The House at Poe Corner delights and disturbs
Michael O’Brien and Eric Woolfe’s mashup of Edgar Allan Poe and Winnie the Pooh is Poe-sitively droll.
REVIEW: Shifting Ground Collective’s Merrily We Roll Along reminds us to tend to our dreams
If you don’t have the, uh, time to make it to the Daniel Radcliffe and Jonathan Groff production in Manhattan, Shifting Ground’s version of Merrily We Roll Along is a worthy contender, urgently ticking along.
REVIEW: Shakespeare BASH’d brings novelty to the Bard’s most under-produced work
In Shakespeare BASH’d’s intimate, stripped-down production of The Two Noble Kinsmen, we discover why even lesser Shakespeare is still worthwhile in the ways it explores different kinds of love and desire.
iPhoto caption: Photo by Henry Chan Jr.
REVIEW: We Quit Theatre challenges existing narratives in its exploration of autofiction
The opposite of “quiet quitting,” this collection makes a joyful noise — and I don’t think anyone would want its creators to resign.
iPhoto caption: Photo by Ilana Lucas.
And in that moment, I, too, was a cheesehead
When you ponder Wisconsin, you might think of copious dairy or a passionate football fan base, rather than live theatre or new play development.
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