Alaine Hutton
iPhoto caption: Janet McMordie in 'Vitals.' Photo by Nate Colitto.
REVIEW: In Rosamund Small’s Vitals, Toronto becomes a map of private catastrophes
The play cuts through the glossy image of health-care workers as haloed heroes, bringing us closer to people working through exhaustion, hypervigilance, and horror.
iPhoto caption: Lester Trips duo headshot Lauren Gillis and Alaine Hutton. Photo by Helen Yung.
Lester Trips wants Toronto theatre creators to ‘make it nasty’
"It doesn’t matter how many reels of a hamster falling out of its cage set to the Requiem I see: The music still hits," says Lauren Gillis. "We joke that the logline for Honey I’m Home is 'normie drone has menty-b from VR Zoom with her own living room.'"
iPhoto caption: Lauren Gillis and Alaine Hutton in 'Public Consumption.' Photo by Eden Graham.
REVIEW: Lester Trips’ stylish Public Consumption captures the internet’s profound emptiness
Rather than directly representing online life, Public Consumption speculates — with virtuosity — about how the digital world affects our bodies. And the show's findings are by no means comfortable.
Show Announcements: RISER Project
Why Not Theatre has announced the four new shows for this year’s the RISER Project.