Alyssa Martin
iPhoto caption: Gabriella Sundar Singh in 'Through the Eyes of God.' Photo by Jae Yang.
Through the Eyes of God makes noise at the 2026 Toronto Theatre Critics’ Awards
The jury of the Toronto Theatre Critics’ Awards (TTCAs) has announced its 2026 results — 26 winners across 20 categories, plus a special citation.
iPhoto caption: Amy Keating, Zorana Sadiq, Katherine Cullen, and Jean Yoon in 'Dance Nation.' Photo by Elana Emer.
REVIEW: Coal Mine Theatre’s Dance Nation vaults into the feral, ecstatic mess of girlhood
Played by a cast whose ages range widely, the characters exist in two tenses at once: present-day adolescence and retrospective memory, living these tender years shadowed by the adults they’ll become.
iPhoto caption: Connor Mitton and members of the company of 'Sex Dalmatian’s Hot Holiday Spectacular.' Photo by Jeremy Mimnagh.
REVIEW: Sex Dalmatian’s Hot Holiday Spectacular is a peppermint-coated acid trip
Rock Bottom Movement’s surrealist mandate is on full display in this 15-dancer fantasia, which begins with an invitation to let go: “The only thing you need to know is not to know anything at all,” pronounces the Mayor of Sex Dalmatian, the evening’s narrator and the mayor of the titular canine’s mind.
iPhoto caption: Benu. Photo by Selina McCallum.
REVIEW: The Sankofa Trilogy is a passionate love letter to Jamaica and Black womanhood
“Politician, yuh have to listen.” “No borders on stolen land.” “No genocide inna Gaza.” These are just three of the rallying cries featured on signs held by picketers in word! sound! powah!, the final installation of d’bi young anitafrika’s Sankofa Trilogy.