I wondered if further following the directive to push upward instead of outward, balancing the corporeal dark with a little more spiritual lightness, might have made this ambitious and heartfelt production spark just a little bit hotter.
By Ilana Lucas /Feb 17, 2026
iPhoto caption: Fiona Mongillo in 'Reproduktion.' Photo by Ann Baggley.
Despite the surprisingly intimate nature of the material, I found myself more impressed than moved by this show. It’s one of those pieces that slowly reveals itself as theatrical premises strip away, and perhaps it’s the extra layers of distance and biography that for me kept the material at an emotional distance.
These new Canadian government snitch lines are getting a little out of hand. Three cops came to my door last week and took away my World’s Greatest Lover coffee mug. I mean, that shit is fairly subjective, no?