Bahia Watson
iPhoto caption: Mazin Elsadig in 'The Comeuppance.' Photo by Dahlia Katz. Set design by Shannon Lea Doyle, costume design by Ming Wong, lighting design by Jason Hand.
Macabre and drama-filled yet surprisingly gentle, The Comeuppance will probably be most compelling to the around-40 crowd who share its specific touchstones and millennial angst from a high-school experience bookended by Columbine and 9/11.
iPhoto caption: The company of 'The Welkin.' Photo by Dahlia Katz.
REVIEW: The Welkin careens from raucous comedy to crushing tragedy
The problem with human rights is that, if you believe in them, you have to apply them to everyone. Political opponents. Murderers. Your ex. People whose phones go off at the theatre. Women. The character of Sally puts this theory to a stress test; in bahia watson’s assured hands, she’s gleefully unlikeable, glorying in a storm of suspiciously modern swearing, lacking any flicker of conscience, and biting the hands that are trying to help her.
iPhoto caption: L to R: Raquel Duffy, Amaka Umeh, Courtney Ch’ng Lancaster, Mayko Nguyen, Ruth Goodwin, Hallie Seline, and Brefny Caribou. Photo by Dahlia Katz.
Mayko Nguyen and bahia watson to star in Canadian premiere of The Welkin
Soulpepper Theatre, the Howland Company, and Crow’s Theatre have announced the 17-person cast appearing in Lucy Kirkwood’s The Welkin, a courtroom drama set in 1759 England.
iPhoto caption: Photo by Roya DelSol.
This play is such a delight to watch, and I would definitely go again. I live for this quality of performance, and I’m looking forward to how this play will continue to inspire Black Canadian theatre to come.