ballet
iPhoto caption: 'Dance Me,' choreographed by Andonis Foniadakis, Annabelle Lopez Ochoa, and Ihsan Rustem. Photo by Marc Montplaisir.
“It’s very ambitious,” says artistic and executive director Alexandra Damiani. “Each choreographer has a clear vision and language. Leonard Cohen wrote, ‘There is a crack in everything, that’s how the light gets in.’ When I see Foniadakis work with Cohen’s music, he finds the cracks between the notes, beats, and words.”
iPhoto caption: Siphesihle November in 'Flight Pattern.' Photo by Karolina Kuras.
Serge Lifar’s Suite en Blanc came out of the Second World War; Crystal Pite’s Flight Pattern emerges from the world of wars we live in today. The double bill might be asking: What role, if any, should dance play in times of crisis?
iPhoto caption: Isabella Kinch, Ben Rudisin and Christopher Gerty in 'The Nutcracker.' Photo by Bruce Zinger.
REVIEW: National Ballet’s scrumptious Nutcracker will melt every last Grinch-heart in town
James Kudelka’s Nutcracker treats children as imaginative equals and adults as worthy of a sprinkling of magic, too. It’s an unwavering, saturated dream of joy you never want to wake up from.
iPhoto caption: Benu. Photo by Selina McCallum.
REVIEW: The Sankofa Trilogy is a passionate love letter to Jamaica and Black womanhood
“Politician, yuh have to listen.” “No borders on stolen land.” “No genocide inna Gaza.” These are just three of the rallying cries featured on signs held by picketers in word! sound! powah!, the final installation of d’bi young anitafrika’s Sankofa Trilogy.