Black theatre
iPhoto caption: Dance Macabre cast. In photo: Keira Marie Forde (front). Back: [L to R] Uche Ama, King Cosmos, Theresa Gomes and Thomas Fournier. Photo by Tiku Romello Fisher (TRF Media).
At the 2026 Toronto Fringe, Caribbean artists stage collisions of identity, power, and desire
In separate video conversations, the lead artists behind Danse Macabre, Ex-Change of Words, and Momme Domme spoke about approaching themes of Blackness, diaspora, power, and desire.
iPhoto caption: Natasha Mumba and Eric Miracle in 'Copperbelt.' Photo by Dahlia Katz.
Copperbelt’s creative team crossed continents to do Natasha Mumba’s debut play justice
Zambian dialect coach Chiluba Katongo Nosfu worked with the cast, and also provided translation support for Mumba’s script: Copperbelt’s characters regularly interject words and phrases from Bemba — one of over 70 languages spoken in Zambia — into their English dialogue.
iPhoto caption: Philip Akin at home. Photo by Dahlia Katz.
“I don't know why it is being placed on Black people to change minds,” says Akin. “I ain't here to pick your intellectual cotton.”
REVIEW: Cabaret Noir at MAYDAY/dance Immersion/Canadian Stage
Black histories and calls to culture within media (theatre, song, film, theory, poetry, language) ensure the culture endures as a living memory.