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Sarah Kane’s Been Dead For 23 Years. I Still Don’t Know How to Thank Her.

My letters to you are a once-a-year digestif, an acknowledgment of gratitude, of lineage, of love.

By Aisling Murphy / Feb 21, 2022

Cette fois, en français: Returning Home to Solstice d’hiver

Solstice d’hiver, my first live theatre-going experience of 2022, truly does feel like a homecoming; a gasp of air; a pause from pandemic and asinine convoy.

By Aisling Murphy / Feb 13, 2022

Decay and Regeneration: Re-Framing the Rhubarb Festival

"I’m actively and intentionally shifting away from well-made plays and trying to hone Rhubarb as a space for experimental practices," said Clayton Lee, Rhubarb's 2022 Festival Director.

By Chris Dupuis / Feb 4, 2022

The Apocalypse Onstage

In my defence, it sounded like a great idea at the time. Back around Halloween, daily case counts in the province were lingering around the low-hanging 350 mark. Indoor capacity...

By Michael Ross Albert / Feb 3, 2022