Daniel Brooks
iPhoto caption: Pamela Mala Sinha for Intermission Magazine. Photo and edit by Nirris Nagendrarajah.
Over the course of 90 minutes, Pamela and I spoke about her trajectory from actor to first-time playwright with Crash, the frustrations and anxieties of being a working artist, and the way her family has consistently inspired both her creative and personal lives.
iPhoto caption: From top left: The Seagull (Soulpepper), Hypothetical Baby (The Howland Company), As You Like It, a radical retelling (Crow's/Mirvish), Letters from Max (Necessary Angel), Maanomaa, My Brother (Canadian Stage/Blue Bird), Monster (Factory), Maggie (Theatre Aquarius), Casey and Diana (Stratford Festival), The Master Plan (Crow's). All photos except Casey and Diana by Dahlia Katz; Casey and Diana photo by Cylla von Tiedemann.
Our favourite theatre productions of 2023, in Toronto and beyond
These shows have stood the test of at least a few weeks, if not several months. Their pleasures are not transitory, but mature and long-lasting. We think of them often.
iPhoto caption: Photos by Dahlia Katz
REVIEW: Monster and Here Lies Henry offer truth, lies, and divine stage action
A pair of one-man plays by Daniel MacIvor, now playing at Factory Theatre, explore what it means to watch.
iPhoto caption: Photos by Dahlia Katz
For Daniel MacIvor, the best theatre ‘honours and interrogates’ the moment
If you have strong opinions on Canadian solo performance, Daniel MacIvor may be to blame.