Diego Matamoros
iPhoto caption: Photo by Elana Emer.
REVIEW: Coal Mine Theatre’s Job is terrifyingly evocative and layered with suspense
Playwright Max Wolf Friedlich unpacks tensions around age, gender, politics, race, and class, painting a truthful yet unflattering portrait of the world we live in today.
iPhoto caption: Photo by Dahlia Katz.
REVIEW: Psychology and ideology collide in Necessary Angel’s austere Winter Solstice
Winter Solstice left me in a state of tension — pondering whether, in a similar situation, I’d be more likely to flirt with or kill a potentially evil man.
iPhoto caption: Photo by Dahlia Katz.
REVIEW: Dream in High Park offers an abridged, ethereal Hamlet
On the surface, this summer’s Hamlet is elegant and mercurial, an interesting enough experiment in what happens when you adapt Shakespeare for new sensibilities and constraints.
iPhoto caption: Photo by Dahlia Katz.
Soulpepper and Outside the March effectively drown Uncle Walt’s highly manicured public image in acetone, leaving the audience with a grotesque portrait that feels at once comically exaggerated and painfully accurate.