Soulpepper and Outside the March effectively drown Uncle Walt’s highly manicured public image in acetone, leaving the audience with a grotesque portrait that feels at once comically exaggerated and painfully accurate.
Alan Dilworth is on a journey. An educator who became an actor who became a writer who became a director who became an artistic director, he articulates his relationship to theatre as one of continual discovery.
Written by Karen Fricker, Photography by Dahlia Katz /Feb 25, 2020
Every week, Intermission's Insider Intel articles one theatre across the city, highlighting everything you need to know before your visit. This week: Soulpepper!