disability
iPhoto caption: Photo by Kira Kynd
REVIEW: The Shadow Whose Prey the Hunter Becomes is a Trojan Horse of disability theatre
At its core, Shadow is less about the threat of AI and more about how deeply ableism affects us all — even those of us who are not disabled.
An open letter to lighting designers
At a time when theatres are struggling to get their pre-pandemic audiences back, it’s shocking that strobe lights are still featured in many productions. They might seem like a splashy yet innocuous design choice, but they are at best a barrier for potential audience members — and, at worst, they have painful consequences.
iPhoto caption: Photo by Mike McPhaden.
There is a rift in the time-space continuum at Withrow Park this summer: multiverse Richard III has met Shakespearean universe Richard III for a coronation and some Shakespearean hijinks.
iPhoto caption: (left to right) Alex Bulmer, Christine Horne, and Alexia Vassos in Richard Three. Original images by Mike McPhaden.
‘Two Perspectives on Disability’: In Conversation with Richard Three at Shakespeare in the Ruff
“There’s a need for [Richard Three] because there’s so little work in this country that centres two disabled people at its core," Bulmer said.