Eldritch Theatre
iPhoto caption: Portrait of Eric Woolfe. Photo by Dahlia Katz.
Eric Woolfe’s inventive horror theatre is a monster mash of artistic influences
For the past 26 years, Eldritch Theatre’s director of the uncanny has given ghoulies, ghosties, and long-legged beasties of all kinds a spot in the limelight, in productions that serve up puppets, magic, and a crumbling castle’s-worth of uncanny influences, including schlock-horror B-movies, Shakespeare at his bloodiest, and the fiction of H.P. Lovecraft.
iPhoto caption: Gabriella Sundar Singh in 'Through the Eyes of God.' Photo by Jae Yang.
Through the Eyes of God makes noise at the 2026 Toronto Theatre Critics’ Awards
The jury of the Toronto Theatre Critics’ Awards (TTCAs) has announced its 2026 results — 26 winners across 20 categories, plus a special citation.
iPhoto caption: Pip Dwyer, Jeanie Calleja, and Natalia Bushnik in 'Night at the Grand Guignol.' Photo by Jack Woolfe.
REVIEW: Eldritch’s Night at the Grand Guignol features spurting blood and severed eyes
The show hits the pulpy B-movie bullseye at which the indie company has long taken aim. Over the course of four playlets, a catalogue of deaths unfurls — shlockily! gorily! — in macabre locales.
REVIEW: Eldritch Theatre’s The House at Poe Corner delights and disturbs
Michael O’Brien and Eric Woolfe’s mashup of Edgar Allan Poe and Winnie the Pooh is Poe-sitively droll.