Features
iPhoto caption: Photo by Gregory Lee.
It’s just interesting that the size of the theatre and the size of the budget is a deciding factor. Stratford has yet to have a woman lead the theatre in a solo fashion. And that day will come, I have no doubt.
iPhoto caption: Photo by Gregory Lee.
Martha never thought she would be a director. As far as experience had taught her, directors were men. There were a few female directors that she was aware of, but it wasn’t the norm [...] Directing jobs at The Grand and Tarragon followed, and Martha felt she always had to get over the initial hurdle of colleagues accustomed to only working with a male director. Technicians made fun of her if she asked what they felt was a stupid question, or ignored her if the question was smart
iPhoto caption: Photo by Gregory Lee.
Though feminism had of course been around for years, it had become a pressing topic for their generation at that time. And as women working in the theatre. “We were trying to establish ourselves as people in an industry that usually looked upon us as less than,” says Martha, “and as adjuncts, and as supporters, and subordinates.”
iPhoto caption: Always Still the Dawn is a double bill of radical works that aim to examine themes of femininity, family, and rebellion. Photo by Olla Ky.
In Conversation: With the Women Creators of Canadian Stage’s 2019-2020 Season
The women creators of Canadian Stage's 2019 - 2020 discuss the new season, and what unique story each production tells in terms of Indigenous communities, the #metoo movement, and gender dynamics.