henrik ibsen
iPhoto caption: Hailey Gillis and Gray Powell in 'A Doll's House.' Photo by Dahlia Katz.
REVIEW: Canadian Stage’s A Doll’s House weighs the burden of our inherited roles
Hailey Gillis' Nora is not so much a doll as she is a gifted actor, reeling through daffy comedy, seductive calculation, and suicidal ideation with ease.
iPhoto caption: Brendan Healy in rehearsal for 'A Doll's House.' Photo by Dahlia Katz.
Canadian Stage’s A Doll’s House marks the second entry in a trilogy of productions about marriage
“At 50, thinking about marriage and love, and [their] place in my life, I wanted to do an artistic deep-dive into the idea of partnership,” says director Brendan Healy.
iPhoto caption: Photo by Dahlia Katz.
REVIEW: In Rosmersholm, ghosts abound
While the play’s ideas sizzle and pop with contemporary verve, the story’s an occasionally frustrating vessel for those captivating sentiments on politics and identity.