“This show isn’t about the Tragically Hip,” says director Mary Francis Moore. “It’s about Waleed.” Instead of bending the Hip’s music to fit the narrative, the team has looked for thematic threads and moments where the emotional undercurrent of a song aligns with what’s happening on stage, even if the connection isn’t explicit.
By Hunter Weaymouth /Apr 21, 2026
iPhoto caption: Antonette Rudder and Sarena Parmar in 'The Surrogate.' Photo by Kendra Epik.
If the play sometimes reaches for one issue too many — religion, interracial relationships, infertility — it also underscores how interconnected these issues can be.
“I was thinking about what mischief means to Canada as a country, and what that law means versus what it means to Indigenous people,” says playwright Lisa Nasson. “The antithesis of those two [meanings] I find really fascinating, and they really play into what this story is about.”
By Caelan Beard /Jan 20, 2026
iPhoto caption: Members of the company of 'Ruby and the Reindeer.' Photo by Ann Baggley.