immersive theatre
iPhoto caption: Members of the 'Ophis' company. Photo courtesy of Transcen|Dance Project.
REVIEW: Ophis dunks viewers into a gothic experience of Medusa’s psychic landscape
Transcen|Dance Project’s Ophis is a woozy tragedy that courts both playfulness and eroticism, deliberately dissolving the boundaries of stage and audience with an immersive format that’s sometimes thrilling, sometimes terrifying, and sometimes — if you’re a people-pleaser like me — both simultaneously.
iPhoto caption: Photo by Dahlia Katz.
REVIEW: Outside the March’s Performance Review is claustrophobic for all the right reasons
It’s up close and personal, with lots of eye contact and sometimes only inches of distance between playwright-performer Rosamund Small and the audience.
REVIEW: The Yellow Wallpaper at Bygone Theatre
Bygone Theatre’s mandate is to create historical pieces with a vintage aesthetic, and in this production its mandate shines.
REVIEW: A Grimm Night at TranscenDance
Once upon a time on Queen Street West, there was an immersive dance experience presented by the TranscenDance Project.