Kevin Hanchard
REVIEW: Pipeline at Soulpepper
When Akosua Amo-Adem and Tony Ofori find their groove, there is simply no stopping them: the pair is magnetic.
REVIEW: House: The Isolation Version
The fiction/real life bleed which in the original play comes from acknowledgement of the co-presence of performer and spectators becomes the character (and actor) acknowledging our simultaneous proximity and distance.
Should actors try to appeal to the sportos, motorheads, geeks, sluts, bloods, wasteoids, dweebies, and dickheads?