To mark the Canadian premiere of this influential satire, Intermission is honouring the play’s divisive reputation by presenting a pair of reviews written independently of one another.
By Divine Angubua, , Ilana Lucas /Oct 6, 2025
iPhoto caption: Stephen Costello and Kseniia Proshina in 'Roméo et Juliette.' Photo by Michael Cooper.
The opera is so grand, and Gounod’s music so august, that, at the start of Act Four, I was surprised to find an image as simple as the pair peacefully spooning in bed struck a sympathetic chord with me.