Mitchell Cushman
iPhoto caption: Sophia Walker in 'Eureka Day.' Photo by Elana Emer.
REVIEW: Coal Mine’s Eureka Day offers a nuanced portrayal of medical mistrust
What could possibly urge people to deny experts, doctors, and researchers at the risk of their own life — and the lives of their children? These thoughts swirled through my brain as I entered Coal Mine Theatre to watch the compelling piece of art that is Eureka Day.
iPhoto caption: Sanskruti Marathe in 'At the End of Kaliyuga.' Photo by Anaiah Lebreton.
REVIEW: Mississauga Multilingual Fringe Festival 2025
Historically, the Sawitri Theatre Group has aimed to platform South Asian performing arts, and its annual fringe festival inherits this focus.
iPhoto caption: Photo by Bruce Zinger.
REVIEW: Outside the March’s Rainbow on Mars explores the future of embedded accessibility practices
Rainbow on Mars is a multisensory experience that goes beyond visual spectacle to create an all-encompassing narrative world from the moment your ticket is scanned.
iPhoto caption: Photo by Dahlia Katz.
REVIEW: Outside the March’s Performance Review is claustrophobic for all the right reasons
It’s up close and personal, with lots of eye contact and sometimes only inches of distance between playwright-performer Rosamund Small and the audience.