National Theatre School
iPhoto caption: Photo by Blaire Russell.
The 40-year career of Alanis King began much the same way that so many careers in theatre do: in front of very small audiences. “The show must go on if you have the same amount of audience members as in the cast,” was King’s motto in the early days. But today, the multihyphenate Odawa artist has no difficulty finding people interested in her work.
iPhoto caption: Space Girl production shot by Joey Senft.
For lighting designer Hailey Verbonac, Indigenous design is in the details
Hailey Verbonac is a trailblazing designer — and budding rap lyricist. At least that’s the case with regard to his work on Space Girl, a new play by Frances Koncan that Prairie Theatre Exchange is presenting digitally following a live run in 2023.
REVIEW: Everybody at Theatre@York
You may not leave this production feeling any more certain about what happens when we die than you did when you arrived, but hey — you’ll have seen some young artists experimenting with their craft and you’ll have laughed doing so. Surely that makes the inevitability of death an easier pill to swallow.
iPhoto caption: Photo by Gregory Lee.
Martha never thought she would be a director. As far as experience had taught her, directors were men. There were a few female directors that she was aware of, but it wasn’t the norm [...] Directing jobs at The Grand and Tarragon followed, and Martha felt she always had to get over the initial hurdle of colleagues accustomed to only working with a male director. Technicians made fun of her if she asked what they felt was a stupid question, or ignored her if the question was smart