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When the Playwright Goes Prose: In Conversation with Haley McGee

My process with solo shows involves sharing bits of text with audiences when I don’t really know where it’s going, or how it’s going to end. I’m pivoting myself to the responses from the audience — I sniff out where I want to go, and how I want to shape the piece. Through creating solo shows, I discovered how much I love this direct, unfettered relationship with an audience.

By Aisling Murphy / Mar 3, 2022
A photograph of Jordan Tannahill in front of a Wikipedia screenshot describing The Hum. There are red lines across the Wikipedia text, reminiscent of those on The Listeners' front cover. iPhoto caption: In Conversation with Jordan Tannahill. Composite image by Aisling Murphy.

When the Playwright Goes Prose: In Conversation with Jordan Tannahill

The Listeners is not a cult narrative, or a Stephen King-wannabe, or a Lolita aftershock — Tannahill’s second novel is a triumph all its own, posing urgent (and at times beautiful) questions against a distressing context of disinformation.

By Aisling Murphy / Sep 4, 2021