Philip Akin
2023 in review at Intermission Magazine
It’s been one heck of a year at Intermission. After founding and leading the publication for seven years, including steering it through the pandemic, Philip Riccio decided it was time...
iPhoto caption: From top left: The Seagull (Soulpepper), Hypothetical Baby (The Howland Company), As You Like It, a radical retelling (Crow's/Mirvish), Letters from Max (Necessary Angel), Maanomaa, My Brother (Canadian Stage/Blue Bird), Monster (Factory), Maggie (Theatre Aquarius), Casey and Diana (Stratford Festival), The Master Plan (Crow's). All photos except Casey and Diana by Dahlia Katz; Casey and Diana photo by Cylla von Tiedemann.
Our favourite theatre productions of 2023, in Toronto and beyond
These shows have stood the test of at least a few weeks, if not several months. Their pleasures are not transitory, but mature and long-lasting. We think of them often.
iPhoto caption: Photo by Dahlia Katz.
REVIEW: The Lehman Trilogy is a major win for Canadian Stage
The Lehman Trilogy signifies one hell of a win for Canadian Stage, in a production I suspect will top many “best-of” lists next month. This is Akin at his A-game and a play whose message demands to be heard – and, in the case of those haunting feet, seen.
iPhoto caption: Philip Akin at home. Photo by Dahlia Katz.
“I don't know why it is being placed on Black people to change minds,” says Akin. “I ain't here to pick your intellectual cotton.”