Soulpepper
iPhoto caption: Members of the company of 'How to Catch Creation.' Photo by Dahlia Katz.
REVIEW: Soulpepper’s How to Catch Creation has plenty to offer a Canadian audience
From its Black feminist ethics to its ideas about making art and living a good life, How to Catch Creation stands out most of all as a bold intellectual and affective challenge.
iPhoto caption: Damien Atkins as Oscar Wilde and Colton Curtis as Bosie in 'De Profundis.' Photo by Dahlia Katz.
Next season, Soulpepper Theatre wants to prove it’s ‘more than just a place that plays happen’
“The lobby is maybe even a more important meeting place than the seats in the audience, because that’s actually where the connection happens,” says artistic director Paolo Santalucia of Soulpepper’s 2026-27 season, which will feature a suite of public programming as well as 12 productions.
iPhoto caption: Natasha Mumba and Eric Miracle in 'Copperbelt.' Photo by Dahlia Katz.
Copperbelt’s creative team crossed continents to do Natasha Mumba’s debut play justice
Zambian dialect coach Chiluba Katongo Nosfu worked with the cast, and also provided translation support for Mumba’s script: Copperbelt’s characters regularly interject words and phrases from Bemba — one of over 70 languages spoken in Zambia — into their English dialogue.
iPhoto caption: Dan Mousseau and bahia watson in 'Summer and Smoke.' Photo by Dahlia Katz.
REVIEW: Tennessee Williams deep cut Summer and Smoke warms up Crow’s Theatre
I wondered if further following the directive to push upward instead of outward, balancing the corporeal dark with a little more spiritual lightness, might have made this ambitious and heartfelt production spark just a little bit hotter.