Soulpepper
iPhoto caption: Olivia Neary-Hatton and Jake Bunyan in 'Spring Awakening.' Photo by Dahlia Katz.
REVIEW: A sparkling young cast buoys Soulpepper’s slick Spring Awakening
If knowledge is the best defence, the adults in Frank Wedekind’s 1906 play Spring Awakening hand their children suits of armour perforated with thousands of holes.
iPhoto caption: Members of the company of 'Medusa.' Photo by Dahlia Katz.
REVIEW: Soulpepper’s Medusa creates a mess it refuses to tidy
Speaking in sibilant murmurs via headsets wired into each seat of the Baillie Theatre, a chorus of intimate voices infiltrates the audience experience, drowning out dialogue and weaving an overstimulating soundscape.
iPhoto caption: Hailey Gillis and Andrew Penner in 'Tiger Bride.' Photo by Dahlia Katz.
REVIEW: Soulpepper’s Tiger Bride bites into a rock-’n’-roll-meets-steampunk aesthetic
Although the premise of Girl on the verge of self-actualization is enticing, and one that the trio approaches with clear, affecting lyrics, Tiger Bride stops short of fully embracing the messiness of her metamorphosis.
iPhoto caption: Members of the company of 'Tiger Bride.' Set and costume design by Shannon Lea Doyle, lighting design by Frank Donato. Photo by Dahlia Katz.
Soulpepper’s Tiger Bride offers a ‘wildly transformative’ audience experience, says Hailey Gillis
“It starts out in a hyper-fairy-tale world, and then we slowly, by the end of it, move into a rock-n’-roll basement concert,” says creator-performer Hailey Gillis. “We're just left with guitars and sweaty bodies and loudspeakers."