Tarragon Theatre
iPhoto caption: Photo by Jae Yang.
REVIEW: Tarragon’s wonderful Benevolence reflects on diaspora, community, and place
Playwright-performer Kevin Matthew Wong’s script is heartfelt, conversational, and at times poetic, moving effortlessly between heavier moments of grief and lighter moments of joy and humour.
iPhoto caption: Photo by Jae Yang.
REVIEW: Guillermo Verdecchia’s Feast is a fascinating text, but Tarragon’s new production feels hazy
I found the play really resonant and rich and layered. It’s about globalization, privilege, travel, displacement, and inequity, and it brought up many associations and past experiences for me. But I don’t feel that Soheil Parsa’s production fully comes together.
iPhoto caption: Photo by Dahlia Katz.
REVIEW: Red Snow Collective’s Carried by the River is still finding its flow
Playing in the Tarragon Theatre Extraspace, Carried by the River delivers visually striking images and impressive choreography but struggles to find emotional depth and cohesion.
iPhoto caption: Photographed productions from L to R, top to bottom, with the photographer in brackets: seven methods of killing kylie jenner (Dahlia Katz), Big Stuff (Dahlia Katz), De Profundis (Dahlia Katz), Goblin:Macbeth (Jae Yang), Salesman in China (David Hou), Dana H. (John Lauener), Earworm (Dahlia Katz), Age Is a Feeling (Dahlia Katz), Honey I’m Home (Eden Graham).
Our favourite theatre productions of 2024, in Toronto and beyond
End-of-year lists are personal. When it comes to theatre, the question isn’t really what shows you liked most, but which ones left the strongest imprint, continuing to pinball around in your mind and heart even after the set is gone and the cast no longer recalls their lines.