First Métis Man of Odesa captures how the fates of two people are entwined into global events larger than life, and how one cannot exist without the other.
It’s fun (even though it's a tragedy), easy to follow, and overall, the performances keep the production alive and energetic without sacrificing truth and objective for speed and volume.
After catching two performances of Québécoise choreographic legend Marie Chouinard’s new work, I’m still struggling to figure out exactly what it is and what, if anything, it says about the direction of our field.