“Horatio’s the only one who comes out of Hamlet alive,” says Adam. “In a lot of versions of [the play], Horatio is sort of beige and milquetoast. I’ve always thought that was a missed opportunity.”
By Nathaniel Hanula-James /Jul 31, 2025
iPhoto caption: Sébastien Heins, Georgia Findlay, Isaiah Kolundzic, and Kiana Woo in The 39 Steps. Photo by Raph Nogal.
For Woo, coming back to the Guild for the first time in four years — after working at Shaw, Soulpepper, the Citadel Theatre, and Théâtre Français de Toronto — feels like a homecoming.
Isle of Demons is a superb way to spend a summer’s evening: with the stunning backdrop of Guild Park, and the breeze picking up as if on cue, it’s the ideal venue and time of year for such a tale.
The wide-reaching scale of Genevieve Adam’s vision is apparent within minutes of the lights going down, even in Tyler J. Seguin’s scrappy, imperfect staging.